Burt Reynolds

Four ordinary men in two canoes navigate a river they only know as a line on a map, taking on a wilderness they only think they understand. Deliverance, based on James Dickey's novel, surges with the urgency of masterful storytelling, like Georgia's Chattooga River along which it was shot. Equally masterful is the portrayal of each man's change of character under stress, harrowingly enacted by award winners Jon Voight, Burt Reynolds, Ned Beatty and Ronny Cox.

Thirty big-name stars, 300-horsepower horseplay and 3,000 breakneck miles: that's the revved-up sequel Cannonball Run II. A real-life race inspired both The Cannonball Run and this follow-up. Director Hal Needham drove in a good-natured yet admittedly illegal race called The Cannonball Sea-to-Shining Sea Memorial Trophy Dash. To elude the law, Needham and his pals disguised their entry as an ambulance.

Like The Gumball Rally (1976) before it, former stuntman Hal Needham's The Cannonball Run was inspired by the same real-life cross-country road race. If The Gumball Rally was the critical favorite, The Cannonball Run was the box-office favorite (spawning the almost-as-successful sequel, Cannonball Run II, a few years later). Aside from top-billed stars Burt Reynolds and Dom DeLuise (stars of Needham's Smokey and the Bandit series) plus Dean Martin and Sammy Davis Jr.

The Best Little Whorehouse in Texas documents in rousing song and dance a new Texas Legend, which now joins the Alamo as a historical institution immortalized in story, song, book, play and movie. The demise of the real life Chicken Ranch inspired the musical stage play, and now the big screen version stars Burt Reynoldsias Sheriff Ed Earl Dodd and Dolly Parton as the Chicken Ranch's proprietress, Miss Mona. The two join together not only in romance, but to fight big city TV crusader Melvin P.

Translating Rowan Atkinson's Mr. Bean character from British television to the big screen takes a bit of a toll, but there are some hilarious sequences in this popular comedy. Bean, a boy-man twit with a knack for getting into difficult binds (and then making them worse and worse and worse), is a London museum guard who is sent to Los Angeles in the company of the famous painting Whistler's Mother. He's mistaken as an art expert by the well-meaning curator (Peter MacNicol) of an L.A. museum, but Bean's famously eccentric behavior soon causes the poor guy to almost lose his family and job.