They're back -- and better than ever! The diehard Cleveland Indians who went from worst to first now cope with fame and its perks as the team tries to hit, hustle and joke its way back to the top. Reckless thrower Rick "Wild Thing" Vaughn (Charlie Sheen), catcher Jake Taylor (Tom Berenger), self-adoring infielder Roger Dorn (Corbin Bernsen), slugger Pedro Cerrano (Dennis Haysbert) and more are in for a whole new ballgame in this hilarious sequel.
Pure dynamite! The Lethal Weapon team has done it again, putting the match to the fuse and putting the WOW! back on screen for Lethal Weapon 4. Mel Gibson and Danny Glover return as buddy cops Riggs and Murtaugh, with Joe Pesci riding comedy shotgun as chatterbox Leo. Murtaugh is still the family man. Riggs is still the gonzo loose cannon - what's this? - family man. His will he/won't he marriage to Cole (Russo) is one of the new wrinkles in this powerhouse crowd-pleaser that also stars comedy favorite Chris Rock and international action star Jet Li.
The characters, action and comedy are back - plus something new. Riggs meets someone he never expected to find: his female alter ego, Lorna Cole (Rene Russo). With this director's cut of Lethal Weapon 3, something newer is added: three minutes of never-before-seen footage! Remember the marina slugfest between Riggs and Murtaugh (Danny Glover)? New scenes between Riggs and Murtaugh's daughter Dianne (Traci Wolfe) add subtext to his fighting-mad protectiveness.
A baseball comedy and slob comedy rolled into one, this one actually works as entertainment, if not as a piece of cinematic mastery. James Gammon is the has-been manager hired to lead the last-place Cleveland Indians whose owner wants them to lose so she can sell them. But the team of has-beens and never-wases that he assembles (including Tom Berenger, Charlie Sheen, Corbin Bernsen, and Wesley Snipes) develops a sense of pride and turns the team around. There's plenty of rowdy humor about sex, race, and whatever else they can make fun of.
Diane Keaton stars as Carol Lipton, a bored Manhattan housewife who becomes convinced that her nextdoor neighbor has committed a murder. When her skeptical husband, Larry (Allen), rejects the idea, Carol turns to a flirtatious friend (Alda) to help her search for clues. And as their enthusiasm for the case grows so does their interest in each other. Spurred on by jealousy - and by a seductive writer (Huston) who's also excited by the murder mystery - Larry reluctantly joins the chase, only to learn that much more than his marriage is at stake.
Wallace Ritchie, an American vacationer in London, doesn't know that the bullets are real and the truth serum true. He thinks the intrigue erupting around him is part of an audience-participation theater event. Yet the world's fate depends on this gullible goofus who can't even spell CIA. Bill Murray is Ritchie, the naive spy who comes in very bold in The Man Who Knew Too Little. He can't believe how believable the make-believe is.
The Majestic is an old-fashioned throwback replete with a 1950s B-script and halcyon values like patriotism, true love, and clean fun. Peter Appleton (Jim Carrey) is a Hollywood scriptwriter with a sexy gal, a screenplay under his belt, and his big break on the horizon. But when his name is mistakenly given to the House Un-American Activities Committee, Appleton's dreams of success in the biz quickly unravel.
When a mysterious wave of killings sweeps the Mafia underworld, it's Inspector "Dirty Harry" Callahan who answers with Magnum Force. In this sequel to "Dirty Harry," a San Francisco homicide detective investigating a rash of gangster murders discovers they are the work of a rookie police assassination squad. Despite a demotion by Lt. Neil Briggs for his questionable methods, Harry will stop at nothing to find the killers.
Two men enter. One man leaves. That's the law in Bartertown's Thunderdome arena. Mad Max Beyond Thunderdome stars Mel Gibson for his third go-round as the title hero who takes on the barbarians of the post-nuclear future - and this time becomes the savior of a tribe of lost children. Music superstar Tina Turner steals what's left of the screen as Aunty Entity, a power-mad dominatrix determined to use Max to tighten her stranglehold on Bartertown.
Woody Allen reinvents himself again with the epic historical satire that is a "wonderful, funny and eclectic distillation of the Russian literary soul." --New York Magazine. One of his most visual, philosophical and elaborately conceived films, Love And Death "demonstrates again that (Allen) is an authentic comedy genius." --Cosmopolitan. Cowardly scholar Boris Grushenko (Allen) has the hots for the beautiful Sonja (Diane Keaton), but cold feet for the Napoleonic Wars.
