After a psychedelic experience in the California desert, Jim Morrison (Val Kilmer), lead singer of The Doors, and his bandmates begin performing in Los Angeles and quickly become a sensation. However, when Jim begins ditching his musical responsibilities and his girlfriend, Pamela (Meg Ryan), in favor of his dangerous addictions and the affections of the seductive, occult-obsessed Patricia (Kathleen Quinlan), the band starts to worry about their leader.
When advertising executive Jim Blandings (Cary Grant) discovers his wife's (Myrna Loy) plan to redecorate their New York apartment, he counters with a proposal that they move to Connecticut. She agrees, and the two are soon conned into buying a house that turns out to be a complete nightmare. Construction and repair bills accumulate quickly, and Jim worries that their future hangs in the balance unless he can come up with a catchy new jingle that will sell ham.
Writer and notorious marriage detractor Mortimer Brewster (Cary Grant) falls for girl-next-door Elaine Harper (Priscilla Lane), and they tie the knot on Halloween. When the newlyweds return to their respective family homes to deliver the news, Brewster finds a corpse hidden in a window seat. With his eccentric aunts (Josephine Hull, Jean Adair), disturbed uncle (John Alexander), and homicidal brother (Raymond Massey), he starts to realize that his family is even crazier than he thought.
Traveling to an uncharted South Pacific island with an adventurer following tales of a God-Ape, Ann Darrow (Fay Wray) is captured by the island's natives to serve as a human sacrifice to Kong. But when Kong, a giant ape, sees Darrow, it is overcome with love - and eventually captured by the adventurers. Taken to New York and put on display, Kong breaks free and pursues Darrow through New York in one of the most famous scenes ever filmed.
One of the most revered comedies of the silent era, this film finds hapless Southern railroad engineer Johnny Gray (Buster Keaton) facing off against Union soldiers during the American Civil War. When Johnny's fiancée, Annabelle Lee (Marion Mack), is accidentally taken away while on a train stolen by Northern forces, Gray pursues the soldiers, using various modes of transportation in comic action scenes that highlight Keaton's boundless wit and dexterity.
Self-assured with the kung fu skills to back it up, Fong Sai-Yuk (Jet Li) is one of the best fighters in the area. When a wealthy merchant (Sibelle Hu) devises a competition to win the hand of his daughter (Li Jia Xing) in marriage, Fong jumps at the chance. However, a case of mistaken identity compels Fong to forfeit, leaving his mother (Zhu Zhang) to win back his honor. Meanwhile, Fong's father invites more problems as a member of a secret anti-government organization.
A woman (Christy Chung) who witnessed a gangland murder falls for the bodyguard (Jet Li) hired to protect her. Corrupt tycoon kills witness to a crime. Only the girlfriend of a businessman with Chinese govt. ties saw it. Beijing bodyguard helps Hong Kong police protect her. But he and the witness develop feelings, complicating matters.
Having failed a secret mission for the Red Flower Society, Chinese folk hero Fong Sai Yuk (Jet Li) must try to get his hands on a special document by wooing the governor's daughter, Man-Yin (Amy Kwok). This doesn't sit well with his fiancée, Ting Ting (Michelle Reis), or with his martial arts-master mother (Josephine Hsiao). Fong enters a martial arts competition, where he faces off against the villainous Yu (Chuen-Hua Chi) as he battles to restore the Ming Dynasty.
Hotshot Hollywood screenwriter Richard Benson (William Holden) is in trouble. He sold a script idea to decadent producer Alexander Meyerheim (Noel Coward), but has wasted all the time he had to finish the screenplay by traipsing around Paris. With just a couple of days left before the deadline, Benson gets a new assistant named Gabrielle Simpson (Audrey Hepburn), who helps him put together a love story by acting out all the possible scenarios. But life eventually beginning to imitate art.
Cult classic pairs Bud Cort as a dead-pan disillusioned 20-year-old obsessed with suicide and a loveable Ruth Gordon as a fun-loving 80-year-old eccentric. They meet at a funeral, and develop a taboo romantic relationship, in which they explore the tired theme of the meaning of life with a fresh perspective.
