Bill Murray does warmth in his most consistently effective post-Stripes comedy, a romantic fantasy about a wacky weatherman forced to relive one strange day over and over again, until he gets it right. Snowed in during a road-trip expedition to watch the famous groundhog encounter his shadow, Murray falls into a time warp that is never explained but pays off so richly that it doesn't need to be.
A stirring example of courage and the indomitable human spirit, for many John Sturges's The Great Escape is both the definitive World War II drama and the nonpareil prison escape movie. Featuring an unequalled ensemble cast in a rivetingly authentic true-life scenario set to Elmer Bernstein's admirable music, this picture is both a template for subsequent action-adventure movies and one of the last glories of Golden Age Hollywood.
Since Adolf Hitler had the audacity to borrow his mustache from the most famous celebrity in the world--Charlie Chaplin--it meant Hitler was fair game for Chaplin's comedy. (Strangely, the two men were born within four days of each other.) The Great Dictator, conceived in the late thirties but not released until 1940, when Hitler's war was raging across Europe, is the film that skewered the tyrant. Chaplin plays both Adenoid Hynkel, the power-mad ruler of Tomania, and a humble Jewish barber suffering under the dictator's rule.
Brimming with the energy, passion and music that rocked a nation, Hair is an entertaining and powerful tribute to the turbulent spirit of the '60s. Brilliantly recreated by Oscar-winning director Milos Forman and screenwriter Michael Weller, this vibrant screen version of the Broadway phenomenon ranks "among the best film musicals" (The Hollywood Reporter). Fresh from the farm, Claude Bukowski (Savage) arrives in New York City for a date with the Army Introduction Board, only to walk into a hippie 'happening' in Central Park and fall in love with the beautiful Sheila (D'Angelo).
All aboard for runaway action and suspense in this riveting masterpiece from writer/director Michael Crichton! Starring Sean Connery, Donald Sutherland and Lesley-Anne Down, it's a "spine-tingling and suavely performed adventure," (The Hollywood Reporter) based on history's first train robbery. Filmed by Academy Award-winning cinematographer Geoffrey Unsworth, this "ingenious" (Variety) and "wonderful" (Gene Shalit) crime caper delivers mile-a-minute thrills and breathtaking excitement.
Clint Eastwood's second film as a director finds the celebrated action star returning to his familiar Old West stomping grounds and his internationally acclaimed role of "The Man With No Name". This time, The Stranger (Eastwood) mysteriously appears out of the heat waves of the desert and rides into the lawless, sin-ridden town of Lago. After making a name for himself with a string of blazing gun battles, The Stranger is hired by the townspeople to provide protection from three ruthless gunmen just out of jail.
Mel Brooks's 1981, three-part comedy--set in the Stone Age, the Roman Empire, and the French Revolution--is pure guilty pleasure. Narrated by Orson Welles and featuring a lot of famous faces in guest appearances (beyond the official cast), the film opens well with Sid Caesar playing a caveman, then moves along to the unlikely but somehow hilarious juxtaposition of Caesar's soldiers (the other Caesar, not Sid) with pot humor, and ends on a dumb-funny note in the French bloodbath. This is a take-it-or-leave-it movie, and it works best if you're in a take-it-or-leave-it mood.
After Hammer Studios' tremendous success with The Curse of Frankenstein, they struck a deal to adapt Universal's catalog of classics and set their sights first on Dracula. Christopher Lee removes the monstrous makeup from the earlier film and makes his entrance as an elegant, confident, altogether seductive Dracula, a frightening figure of flashing eyes and erotic allure. Peter Cushing, with his hawklike profile and piercing eyes, turns his rationalist intensity to Van Helsing: man of science as crusading vampire hunter.
David Mamet's Heist is--not unlike many of his previous films--amusing, manicured, and fraught with an awkward tension. If you've seen The Spanish Prisoner or House of Games, you're by now familiar with the plot-subverting gambit of the double-cross turned triple- and then quadruple-cross. Heist sticks to the formula.
In 1992, Woody Allen and Mia Farrow--heretofore the Lunt and Fontanne of Hollywood on the Hudson--went public with a media-saturated battle over Allen's affair with Farrow's adopted daughter. Only a few months later, Allen released this film, starring himself and Farrow acting out a virtually identical plot line: an unhappy marriage begins to crumble when the husband strays with a much younger woman (in this case, one of his students, played by Juliette Lewis).
