Lou Gossett, Jr. returns to his roleias leader of a unique brand of international war aces in this spectacular conclusion to the high-flying Iron Eagle series. Gossett and his aces team up with the beautiful and courageous Anna (two-time Miss Olympia Rachel McLish) to save her Peruvian village held hostage by a Latin American drug cartel led by a German madman (Paul Freeman).
The rough-edged vitality of contemporary Irish filmmaking is readily apparent in Intermission, a deliriously ambitious black comedy in which 54 characters and 11 plotlines compete for consistently impressive screen-time.
Heaven Can Wait is a romantic fantasy about Joe Pendleton (Warren Beatty), a Los Angeles Rams quarterback who is accidentally summoned to heaven by an overly zealous celestial escort. Pendleton is returned to earth in the body of another man, who is a corporate giant. While practicing to once again play for the Rams, Pendleton must escape attempts on his life while romantically pursuing a beautiful Englishwoman (Julie Christie) who protests the destruction caused to her village by one of his many corporations.
One of Barbra Streisand's most beloved performances is that of the indomitable Dolly Levi in this hugely popular musical that received a Best Picture Academy Award nomination in 1969. It's turn-of-the-century Yonkers, New York, where an ambitious young widow with a penchant for matchmaking (Streisand), has an idea for the perfect match-tight-fisted, local merchant Horace Vandergelder (Walter Matthau) and-herself! As she tries to win his heart, we're treated to one of the most musically entertaining, hilariously underhanded plots in film history.
Based on Tom Clancy's bestseller, directed by John McTiernan (Die Hard) and starring Sean Connery and Alec Baldwin, The Hunt For Red October sweats with high-tech anxiety and the tension of men who hold Doomsday in their hands. A new technologically-superior Soviet nuclear sub, the Red October, is heading for the U.S. coast under the command of Captain Marko Ramius (Connery). The American government thinks Ramius is planning to attack.
Newman is electrifying as Fast Eddie Felson, an arrogant, amoral hustler who haunts backstreet pool rooms fleecing anyone who'll pick up a cue. Determined to be acclaimed as the best, Eddie seeks out the legendary Minnesota Fats, who's backed by Bert Gordon, a predatory gambler. Eddie can beat the champ, but virtually defeats himself with his low self-image. The love of a lonely woman could turn Eddie's life around, but he won't rest until he beats Minnesota Fats, no matter what price he must pay.
Steve Martin and Goldie Hawn star in this hilarious romantic comedy about the consequences of "stretching" the truth. When architect Newton Davis' girlfriend Becky (Dana Delany) turns down his marriage proposal, his newly-built dream house suddenly becomes nothing more than an empty monument to her rejection. That is, until a chance encounter with Gwen (Hawn) turns his life upside-down. Intrigued by Newton's story, Gwen visits the house and decides to move in on her own.
A hilarious Sold Cinema send-up, this ultra-slick, urban action-comedy blows '70s blaxploitation movies right out of the 'hood! Featuring the very funny Wayans family (Keenen, Damon and Kim), Bernie Casey, Antonio Fargas, Isaac Hayes, Jim Brown, Janet DuBois, David Alan Grier, Kadeem Hardison and Chris Rock, I’m Gonna Git You Sucka is a perfect "mixture of nostalgia, silliness and genuinely unpredictable humor." -The New York Times. Jack Spade, a goody-goody war hero with medals for shorthand, returns to the ghetto to discover that his brother, Junebug, has OG'd (Over-Golded) on jewelry.
Few films have defined a generation as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chicness has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs. Robinson.
After her brilliant career in a comedy duo with Mike Nichols, Elaine May made tentative progress as a director, making only four films between 1971 and 1987 (her last being the disastrous but underrated Ishtar). Released in 1972, The Heartbreak Kid (from a screenplay by Neil Simon) is widely considered her best work from behind the camera, and it's still one of the most accomplished--but least recognized--comedies of the 1970s.
