Trailers/TV spots

This science fiction blockbuster from 1990 began its production life as a very different movie than the one that was released. An adaptation of the Philip K. Dick short story "We Can Remember It for You Wholesale," Total Recall was originally conceived of with Richard Dreyfuss starring as a Walter Mitty-like character who experiences a variety of artificially induced fantasies. The movie we know is a mega-budget action epic set on Mars. Arnold Schwarzenegger plays a normal working man who discovers that his entire reality has been invented to conceal a plot of planetary domination.

Director Marty DiBergi (Rob Reiner) solemnly alerts us to the glory that was Spinal Tap in his introduction to this "rockumentary" about the legendary British heavy-metal group, featuring lead guitarist Nigel Tufnel (Christopher Guest), lead singer David St. Hubbins (Michael McKean), bassist Derek Smalls (Harry Shearer), and a succession of drummers whose careers were cut short by spontaneously combusting on their stool, drowning in somebody else's vomit, or otherwise perishing in untimely fashion.

One of the touchstone movies of the 1980s, Tootsie stars Dustin Hoffman as an out-of-work actor who disguises himself as a dowdy, middle-aged woman to get a part on a hit soap opera. The scheme works, but while he/she keeps up the charade, Hoffman's character comes to see life through the eyes of the opposite sex. The script by Larry Gelbart (with Murray Schisgal) is a winner, and director Sydney Pollack brings taut proficiency to the comedy and sensitivity to the relationship nuances that emerge from Hoffman's drag act.

Taxi Driver is the definitive cinematic portrait of loneliness and alienation manifested as violence. It is as if director Martin Scorsese and screenwriter Paul Schrader had tapped into precisely the same source of psychological inspiration ("I just knew I had to make this film," Scorsese would later say), combined with a perfectly timed post-Watergate expression of personal, political, and societal anxiety.

There's Something About Mary is one of the funniest movies in years, recalling the days of the Zucker-Abraham-Zucker movies, in which (often tasteless) gags were piled on at a fierce rate. The difference is that cowriters and codirectors Bobby and Peter Farrelly have also crafted a credible story line and even tossed in some genuine emotional content. With Mary, the Farrelly brothers have created a consistently hilarious romantic comedy, made all the funnier by the fact that you know that they know that some of their gags go way over the line.

When a 17 year old, High-School Student named Jerry Mitchell (Casey Siemaszko), is an average young man, who has the worst day of his life, when he accidently touched a Bully named Buddy Revell (Richard Tyson), who doesn't liked to be touched, now he has to deal with Buddy, who wants to fight Jerry at three o'clock, Jerry will do anything to get himself out of the situation.

In this compelling drama, a cadet major (Timothy Hutton) leads his fellow military students in an armed revolt to prevent authorities from turning their school into a condominium complex. His surrogate father, who is also the academy's commander (George C. Scott), vows to fight the closing as well. But when an unexpected accident leads to the school's demise, military discipline goes haywire and tragedy results. Sean Penn, Tom Cruise and Ronny Cox co-star in this thought-provoking film that questions the values and morals of today's society.

A high-ranking judge with a vendetta against drugs learns his own daughter is a cocaine addict - a San Diego housewife must suddenly take over her husband's drug dealing business when he is arrested - a Mexican police officer struggles to do the right thing in the midst of corruption. Michael Douglas, Catherine Zeta-Jones and Benicio Del Toro star in Steven Soderbergh's amazing intertwined stories of the failing war on drugs.

James Caan is at his very best as a tough, wisecracking professional thief trapped between Chicago organized crime families and corrupt police in this "gripping drum-tight tale" (Los Angeles Magazine). Michael Mann, who directed Last of the Mohicans and Manhunter and produced "Miami Vice" and "Crime Story," wrote and directed this taut, visually dazzling "heist"-drama called "the best of that breed since The Asphalt Jungle" by New West Magazine.

I feel like I've been handed a new life, says Tom Ripley at a crucial turning point of this well-cast, stylishly crafted psychological thriller. And indeed he has, because the devious, impoverished Ripley (played with subtle depth by Matt Damon) has just traded his own identity for that of Dickie Greenleaf (Jude Law), the playboy heir to a shipping fortune who has become Ripley's model for a life worth living.