Trailers/TV spots

For $1,000 a day, vacationers can indulge whims at the theme park called Westworld. They can bust up a bar or bust out of jail, drop in onia brothel or get the drop on a gunslinger. It's all safe: the park's lifelike androids are programmed never to harm the customers. But not all droids are getting with the program. Michael Crichton (Jurassic Park, Twister) wrote and made his directing debut with this futuristic thriller that heralded moviemaking's future as the first feature to use digitized images.

Yes, that is Bill Paxton as Ilan Mitchell-Smith's militaristic big brother. And that's Robert Downey Jr. as one of the in-crowd jerks who makes nerds Mitchell-Smith and Hall's lives miserable. Fortunately, this is a John Hughes comedy and our smart nerds create the perfect woman, Lisa (Kelly LeBrock), using a computer and voodoo. Lisa is a willing sex toy, has magical powers, and just wants to help the boys get even and meet nice babes. She even cleans up. The fantasy ebullience of Hughes is given full rein here and that's good and bad (mostly good).

Michael Douglas, Kathleen Turner, and Danny DeVito reunited for a third time to fabulous effect in this dark, disturbing comedy of martial trauma and revenge, which couldn't be more different from their sunnier outings in Romancing the Stone and The Jewel of the Nile.

In this riveting, behind-the-scenes look at big business in the 1980s, an ambitious stockbroker (Charlie Sheen) is lured into the illegal, lucrative world of corporate espionage when he is seduced by the power, status and financial wizardry of Wall Street legend Gordon Gekko (Michael Douglas). But he soon discovers that the pursuit of overnight riches comes at a price that's too high to pay. Daryl Hannah and Martin Sheen costar in Oliver Stone's gripping morality tale about the American dream gone wrong.

After returning from World War II, a young G.I. named Paul Sutton (Keanu Reeves) finds he has little in common with the wife he left behind. Disillusioned, he heads north to work as a traveling salesman. There he meets the daughter (Anita Sanchez-Gijon), of a wealthy vineyard owner (Giancarlo Giannini). On her way home, she's terrified of what her domineering father will do when he learns she's unmarried and pregnant. The young man gallantly offers to help by posing as her husband for one night, unaware that doing so will change both their lives forever.

Finally a comedy that will make you feel like a million bucks. In the tradition of The Full Monty comes a "spectacularly funny" (Gene Siskel) comedy about friends pulling together to make a dream come true. When Ned Devine dies from shock after winning the lottery, two longtime friends, Michael and Jackie, discover the body and agree Ned would want them to benefit from his good luck. They embark upon an outrageous scheme to claim the ticket, but first they have to get all the townsfolk to go along with their plan!

One of the funniest films in many a moon was hiding at art house theaters in 1998. Former Saturday Night Live comedian and Spinal Tap member Christopher Guest creates the ultimate parody of small-town dramatics, Waiting for Guffman. Corky St. Claire (Guest), an overwhelming drama director hiding out in Blaine, Missouri, thinks he has found the vehicle to put him back on Broadway: the city's 150th anniversary play, Red, White, and Blaine. As rehearsals start, we learn of the town's history ("the stool capital of the world") including a brush with a UFO.

Not only was Barry Levinson's comedy shot in a relatively fast period of 29 days, the satire of politics and show business feels as if it were made yesterday. There's a fresh spin quite evident here, a nervy satire of a presidential crisis and the people who whitewash the facts. The main players are a mysterious Mr. Fix-It (Robert De Niro), veteran Hollywood producer (Dustin Hoffman), and a White House aide (Anne Heche). Can the president's molesting of a young girl be buried in the two weeks before an election? A war in Albania just might do the trick.

Roger Moore's last outing as James Bond is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, the film is largely interesting for Christopher Walken's quirky performance as a sort-of supervillain who wants to take out California's Silicon Valley.

David Aames (Tom Cruise) appears to lead a charmed life. Handsome, wealthy and charismatic, the young New York City publishing executive's freewheeling existence is enchanting, yet he seems to be missing something. Then, in one night David meets Sofia (Penelope Cruz), the girl of his dreams, but loses her by making a small mistake. Thrust unexpectedly onto a roller-coaster ride of romance, comedy, suspicion, love, sex and dreams, David finds himself on a mind-bending search for his soul and discovers the precious, ephemeral nature of true love.