Jim Carrey and Jeff Daniels are too lame to live - and too dense to die - as a pair of deliriously dim-witted pals on a cross-country road trip to return a briefcase full of cash to its rightful owner. Along the way they'll confound cops, kidnappers and anyone and everyone who has the misfortune of crossing their paths in this comic caper for every idiot in the family!
Mel Brooks, the unhinged movie parodist whose Blazing Saddles sent us Westward ho-ho-ho and whose Young Frankenstein electrified with mad-scientist nuts and jolts, now stokes the Bram Stoker vein with the comedy transfusion: Dracula Dead and Loving It. Leslie Nielsen plays the title role, and what's not to love? His Count is a pratfalling evil prince of a guy who believes in long relationships. Brooks portrays vampire hunter Van Helsing who won't give a bloodsucker an even break. Stakes, garlic, mirrors and more - they're all part of vampire lore.
Kevin Costner's 1990 epic won a bundle of Oscars for a moving, engrossing story of a white soldier (Costner) who singlehandedly mans a post in the 1870 Dakotas, and becomes a part of the Lakota Sioux community who live nearby. The film may not be a masterpiece, but it is far more than the sum of good intentions. The characters are strong, the development of relationships is both ambitious and careful, the love story between Costner and Mary McDonnell's character is captivating.
As with Grease (1978) and Footloose (1984) before it, Dirty Dancing was a cultural phenomenon that now plays more like camp. That very campiness, though, is part of its biggest charm. And if the dancing in the movie doesn't seem particularly "dirty" by today's standards - or 1987's - it does take place in an era (the early '60s) when it would have. Frances "Baby" Houseman (Jennifer Grey, daughter of ageless hoofer Joel Grey) has been vacationing in the Catskills with her family for many years. Uneventfully.
Gary Oldman, Winona Ryder and Anthony Hopkins star in director Francis Ford Coppola's visually stunning, passionately seductive version of the Dracula legend. In Bram Stoker's Dracula, Coppola returns to the original source of the Dracula myth, and from that gothic romance, he creates a modern masterpiece. Gary Oldman's metamorphosis as Dracula - who grows from old to young, from man to beast - is nothing short of amazing. Winona Ryder brings equal intensity to the role of a young beauty who becomes the object of Dracula's devastating desire.
A model for dozens of action films to follow, this box-office hit from 1967 refined a die-hard formula that has become overly familiar, but it's rarely been handled better than it was in this action-packed World War II thriller. Lee Marvin is perfectly cast as a down-but-not-out army major who is offered a shot at personal and professional redemption. If he can successfully train and discipline a squad of army rejects, misfits, killers, prisoners, and psychopaths into a first-rate unit of specialized soldiers, they'll earn a second chance to make up for their woeful misdeeds.
Arguably the greatest black comedy ever made, Stanley Kubrick's cold-war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so- called "Doomsday Device," and the world hangs in the balance while the U.S.
Fries with gravy, a cherry cola. Friendship, bragging rights...and does Sinatra or Mathis croon the best makeout music? Before there was a counterculture of the '60s, there was a counter culture. From his Oscar-nominated script, Barry Levinson makes his directing debut with this endearing study of pals in transition. Film-debuting Ellen Barkin plays a neglected wife.
On a hot Brooklyn afternoon, two optimistic losers set out to rob a bank. Sonny (Al Pacino) is the mastermind, Sal (John Cazale) is the follower, and disaster is the result. Because the cops, crowds, TV cameras and even the pizza man have arrived. The "well-planned" heist is now a circus. Pacino and director Sidney Lumet, collaborators on Serpico, reteam for this boisterous comedy/thriller that earned six Academy Award nominations (including Best Picture), and won an Oscar for Frank Pierson's streetwise screenplay.
Whether or not you can sympathize with its fascistic/vigilante approach to law enforcement, Dirty Harry (directed by star Clint Eastwood's longtime friend and directorial mentor, Don Siegel) is one hell of a cop thriller. The movie makes evocative use of its San Francisco locations as cop Harry Callahan (Eastwood) tracks the elusive "Scorpio killer" who has been terrorizing the city by the Bay.
