The Godfather, Part III (1990, 170 min.) - Now in his 60's, Michael Corleone is dominated by two passions: freeing his family from crime, and finding a suitable successor. That successor could be fiery Vincent (Andy Garcia), but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. This special collection also includes an additional disc containing over 3 hours of bonus material.
The Godfather, Part II (1974, 200 min.) - This brilliant sequel continues the saga of two generation of successive power within the Corleone family. Coppola tells two stories: the roots and rise of a young Don Vito (Robert De Niro), and the ascension of Michael (Al Pacino) as the new Don. Winner of six Academy Awards, including Best Picture.
Some of the greatest masterpieces in cinema history, "The Godfather Collection" is the saga of the generations of successive power within the Corleone crime family, told in three films of staggering magnitude and vision, masterfully exploring themes of power, tradition, revenge and love. The Godfather (1972, 175 min.) - Adapted from Mario Puzo's best-selling novel, Francis Ford Coppola's epic masterpiece features Marlon Brando in his Oscar-winning role as the patriarch of the Corleones.
A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe.
When Neil Jordan is really on his game, as he is with The Good Thief, his directorial skill is a marvel to behold. In the character-driven mode of Jordan's Mona Lisa and The Crying Game, this smooth, underrated caper provides an abundance of cinematic riches, not the least being Jordan's peerless knack for dialogue and a tailor-made role for Nick Nolte. For better or worse, Nolte's off-screen drug abuse served him well in portraying Bob Montagnet, ace thief, recovering heroin addict, and beloved denizen of the French Riviera, where his luck is about to take some very clever turns.
Dry as ice, dripping with deadpan witticisms, only Sean Connery's Bond would dare disparage the Beatles, that other 1964 phenomenon. No one but Connery can believably seduce women so effortlessly, kill with almost as much ease, and then pull another bottle of Dom Perignon '53 out of the fridge.
Directed with consummate skill by Terence Young, the second James Bond spy thriller is considered by many fans to be the best of them all. Certainly Sean Connery was never better as the dashing Agent 007, whose latest mission takes him to Istanbul to retrieve a top-secret Russian decoding machine.
When a British ship is sunk in foreign waters, the world's superpowers begin a feverish race to find its cargo: a nuclear submarine control system. And 007 (Roger Moore) is thrust into one of his most riveting adventures as he rushes to join the search and prevent global devastation! Soon we meet one of the best casts from any Bond, including the stunningly beautiful Carole Bouquet as Melina Havelock, daughter of ocean archeologists that attempt to locate the ship for the British government and are murdered.
Goldie Hawn, Bette Midler, and Diane Keaton prove that revenge is a dish best served cold. Former college buddies, they reunite at the funeral of a dear friend who took a swan dive onto Fifth Avenue. All three discover they share the same unhappy history of husbands who dove into middle-age by dumping them for trophy wives. Forming a warring triumvirate, they decide to get even, and along the way remind themselves of long-forgotten capabilities. The action gets a little too "wacky" at times, but the gals are great.
Mel Brooks, the unhinged movie parodist whose Blazing Saddles sent us Westward ho-ho-ho and whose Young Frankenstein electrified with mad-scientist nuts and jolts, now stokes the Bram Stoker vein with the comedy transfusion: Dracula Dead and Loving It. Leslie Nielsen plays the title role, and what's not to love? His Count is a pratfalling evil prince of a guy who believes in long relationships. Brooks portrays vampire hunter Van Helsing who won't give a bloodsucker an even break. Stakes, garlic, mirrors and more - they're all part of vampire lore.
