Audio commentary

Bathed in self-conscious cool, Confidence is a heist caper in which the heist is unimportant. As you might expect from Glengarry Glen Ross director James Foley, this pulpy concoction is more interested in giving good actors a lot of hip, salty dialogue as they scheme their way to the royal scam. It's a poor man's Ocean's Eleven, just as enjoyable in its own way, beginning when con artist Jake (Edward Burns) discovers he's accidentally stolen from an eccentric crime boss (Dustin Hoffman, oozing threat in a fine character turn).

Through the history of mankind, the times that are most recorded in mythology and song are those of great deeds and fantastic adventures. Such a time was the Hyborean Age. Such a tale is the story of Conan The Barbarian. Cimmerian Conan (Arnold Schwarzenegger) is captured as a child after his parents' savage murder by raiding Vanir led by Thulsa Doom (James Earl Jones), head of the malignant snake-cult of Set. Fifteen years of agony, first chained to the Wheel of Pain grinding grain and then enslaved as a Pit Fighter, forge a magnificent body and indomitable spirit.

Collateral offers a change of pace for Tom Cruise as a ruthless contract killer, but that's just one of many reasons to recommend this well-crafted thriller. It's from Michael Mann, after all, and the director's stellar track record with crime thrillers (Thief, Manhunter, and especially Heat) guarantees a rich combination of intelligent plotting, well-drawn characters, and escalating tension, beginning here when icy hit-man Vincent (Cruise) recruits cab driver Max (Jamie Foxx) to drive him through a nocturnal tour of Los Angeles, during which he will execute five people in a 10-hour spree.

Sarah was an inexperienced climber. She trusted Gabe to rescue her. But something went wrong high above the valley floor. Sylvester Stallone, John Lithgow, Michael Rooker, Janine Turner and Ralph Waite star in this high-altitude avalanche of action: a non-stop adventure peaked with suspense and capped with heart-quaking terror. For Rocky Mountain Rescue, the mission is almost routine: locate five climbers.

A Christmas Story is on its way to becoming an annual holiday classic, one to keep on the shelf with It's a Wonderful Life, the puppet-animated Rudolph the Red-Nosed Reindeer, and A Charlie Brown Christmas. It may have been directed by Bob Clark (responsible for the Porky's pictures), but it's based on the childhood memoirs of humorist Jean Shepherd (from his hilarious book In God We Trust: All Others Pay Cash). And it is Shepherd's wry, deadly accurate, and gently nostalgic comic sensibility that shines through in this kid's-eye view of an all-American Christmas in the 1940s.

Charlie's Angels: Full Throttle is a big, fun, bubble-brained mess of a movie, and that's exactly as it should be. Its popular 2000 predecessor got the formula right: gorgeous babes, throwaway plots, and as many current pop-cultural trends as you could stuff into a candy-coated dollop of Hollywood mayhem. This sequel goes one "better": The plot's even more disposable (if that's possible), the babes, cars, and fashions even more outlandish, and the stuntwork (heavily digital, heavily absurd) reaches astonishing heights of cartoon silliness.

For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daffy Bosley (Bill Murray in a casting coup) in tow.

How can you hate a movie that features ninja Siamese cats wreaking havoc with their kung fu prowess? That's one of the highlights in Cats & Dogs, an effects-laden family film that mystifies cat fanciers by casting dogs as the undisputed heroes in all-out warfare with nefarious felines. Hidden headquarters and high-tech gadgets are featured on both sides of this age-old battle. On the feline side, the longhaired Persian Mr. Tinkles (voice of Sean Hayes) plots to sabotage the efforts of Professor Brody (Jeff Goldblum) to discover a cure for human allergies to dogs.

John Huston was only one of five directors on this expensive, all-star 1967 spoof of Ian Fleming's 007 lore. David Niven is the aging Sir James Bond, called out of retirement to take on the organized threat of SMERSH and pass on the secret-agent mantle to his idiot son (Woody Allen). An amazing cast (Orson Welles, Peter Sellers, Deborah Kerr, etc.) is wonderful to look at, but the romping starts to look mannered after awhile. The musical score by Burt Bacharach, however, is a keeper.

IWith this lavish follow-up to Shakespeare in Love, director John Madden proves himself a worthy craftsman of literary films, and while Captain Corelli's Mandolin may frustrate admirers of Louis de BerniËres's densely detailed novel, it's a tastefully old-fashioned adaptation, preserving the novel's flavor while focusing on its love story set against the turbulence of World War II. Set on the Greek island of Cephallonia, the drama begins in 1940 with occupation by Italian troops, awkwardly allied with the Nazis and preferring hedonistic friendliness over military intimidation.