For Daredevil, justice is blind, and for the guilty, there's hell to pay! Ben Affleck and Jennifer Garner ignite dangerous sparks and nonstop thrills in this action-adventure about the newest breed of superhero. By day, blind attorney Matt Murdock (Affleck) toils for justice in Hell's Kitchen. By night, he's Daredevil, The Man Without Fear - a powerful, masked vigilante stalking the dark streets with an uncanny "radar sense" that allows hime to "see" with superhuman capabilities.
A sumptuously mounted and photographed celebration of artful wickedness, betrayal, and sexual intrigue among depraved 18th-century French aristocrats, Dangerous Liaisons (based on Christopher Hampton's Les Liaisons Dangereuses) is seductively decadent fun. The villainous heroes are the Marquise De Merteuil (Glenn Close) and the Vicomte De Valmont (John Malkovich), who have cultivated their mutual cynicism into a highly developed and exquisitely mannered form of (in-)human expression.
Sarah Michelle Gellar and Ryan Phillippe sizzle as a pair of unscrupulous siblings in a deliciously sexy tale of seduction, revenge and conquest. After cleverly seducing and ruining the reputation of an unsuspecting classmate (Selma Blair) the sparks fly when Kathryn (Gellar) poses the ultimate challenge to her insatiable stepbrother Sebastian (Phillippe): deflower the Headmaster's beautiful, virgin daughter Annette (Reese Witherspoon). If he fails, Kathryn gets his most prized possession, but if he succeeds, Sebastian gets to possess and bed Kathryn.
Hong Kong wuxia films, or martial arts fantasies, traditionally squeeze poor acting, slapstick humor, and silly story lines between elaborate fight scenes in which characters can literally fly. Crouching Tiger, Hidden Dragon has no shortage of breathtaking battles, but it also has the dramatic soul of a Greek tragedy and the sweep of an epic romance. This is the work of director Ang Lee, who fell in love with movies while watching wuxia films as a youngster and made Crouching Tiger as a tribute to the form.
John Wayne has brawled bare-knuckled, gunned down desperadoes, fought jungle wars and piloted the skies. But The Cowboys gives him one of his juiciest roles as a leather-tough rancher who, deserted by his regular help, hires eleven greenhorn schoolboys for a cattle drive across 400 treacherous miles. When the dust settles, Wayne gives one of his best performances. In The Cowboys, Rex Reed wrote, "All the forces that have made him a dominant personality as well as a major screen presence seem to combine.
A young party traveling to the Carpathian Mountains receives a strange warning from Father Sandor, the Abbot of Kleinberg, telling them not to proceed with their plans. Despite his advice, the Kents continue but are prematurely abandoned in a forest by their coachmen, who refuses to continue after dark. Finally, their luck is changing it seems, when another mysterious black coach appears and delivers them to an enormous, errie castle where they are offered the hospitality of Count Dracula.
These guys were given one last chance to pull off a job without screwing up. Guess what happened? Chicago's biggest mob boss doesn't like being robbed, and he's out for blood. So are the guys whose car got stolen as the gang's getaway vehicle. And then there's the dirty federal agent and the double-dealing crime lord who handed them the assignment. If they get out of this alive, it'll be a miracle. A mob hit starring Harvey Keitel ("Pulp Fiction") and Gerard Depardieu ("The Man in the Iron Mask.")
City Lights is a film to pick for the time capsule, a film that best represents the many aspects of director-writer-star Charlie Chaplin at the peak of his powers: Chaplin the actor, the sentimentalist, the knockabout clown, the ballet dancer, the athlete, the lover, the tragedian, the fool. It's all contained in Chaplin's simple story of a tramp who falls in love with a blind flower girl (Virginia Cherrill). Chaplin elevates the Victorian contrivances of the plot to something glorious with his inventive use of pantomime and his sure grasp of how the Tramp relates to the audience.
A truly perfect movie, the 1942 Casablanca still wows viewers today, and for good reason. Its unique story of a love triangle set against terribly high stakes in the war against a monster is sophisticated instead of outlandish, intriguing instead of garish. Humphrey Bogart plays the allegedly apolitical club owner in unoccupied French territory that is nevertheless crawling with Nazis; Ingrid Bergman is the lover who mysteriously deserted him in Paris; and Paul Heinreid is her heroic, slightly bewildered husband.
They had Absolutely Nothing. But They Were Willing To Risk It All. Jimmy Rabbitte, just a tick out of school, gets a brilliant idea: to put a soul band together in Barrytown, his slum home in north Dublin. First he needs musicians and singers: things slowly start to click when he finds three fine-voiced females virtually in his back yard, a lead singer (Deco) at a wedding, and, responding to his ad, an aging trumpet player, Joey "The Lips" Fagan. Song by song, gig by gig, the Commitments start their climb to the top: Dublin gets soul.
