Arguably the most intelligently written film to feature the masterful stop-motion animation of Ray Harryhausen, Jason and the Argonauts is a colorful adventure that takes full advantage of Harryhausen's "Dynarama" process. Inspired by the Greek myth, the story begins when the fearless explorer Jason (Todd Armstrong) returns to the kingdom of Thessaly to make his rightful claim to the throne, but the gods proclaim that he must first find the magical Golden Fleece.
No one uses color like Chinese director Zhang Yimou--movies like Raise the Red Lantern or Hero, though different in tone and subject matter, are drenched in rich, luscious shades of red, blue, yellow, and green. House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen.
While 2003's Daredevil was a conventional superhero movie, the 2005 spinoff, Elektra, is more of a wuxia-styled martial arts/fantasy flick. Elektra (Jennifer Garner) has returned to her life as a hired assassin, but she balks at an assignment to kill a single father (Goran Visnjic, ER) and his teenage daughter (Kirsten Prout). That makes her the target of the Hand, an organization of murderous ninjas, scheming corporate types, and a band of stylish supervillains seeking to eliminate Elektra and tip the balance of power in the ongoing battle of good vs. evil.
Jennifer Garner glows like a rising star in 13 Going On 30, a girly version of the Tom Hanks classic Big. Jenna (Garner, Alias, Daredevil), a frustrated teenage girl, just wants to skip past all those annoying adolescent years and arrive at a glamorous adulthood--and thanks to some inexplicable wishing dust, she does.
When it was released during Hollywood's golden year of 1939, The Wizard of Oz didn't start out as the perennial classic it has since become. The film did respectable business, but it wasn't until its debut on television that this family favorite saw its popularity soar. And while Oz's TV broadcasts are now controlled by media mogul Ted Turner (who owns the rights), the advent of home video has made this lively musical a mainstay in the staple diet of great American films.
Mel Brooks' monstrously crazy tribute to Mary Shelley's classic pokes hilarious fun at just about every Frankenstein movie ever made. Summoned by a will to his late grandfather's castle in Transylvania, young Dr. Frankenstein (Wilder) soon discovers the scientist's step-by-step manual explaining how to bring a corpse to life. Assisted by the hunchback Igor (Feldman), he creates a monster (Boyle) who only wants to be loved.
Long before Unforgiven deconstructed the Western, or Blazing Saddles lampooned it, Cat Ballou poked the genre in the eye. An altogether enjoyable comedy, the film is full of small surprises, big laughs, and wonderful character turns. Catherine Ballou (Jane Fonda) is a schoolteacher until a hired thug kills her daddy. To protect what she loves, she collects two petty criminals, a wisecracking hired hand, and a hired killer, Kid Shelleen (Lee Marvin). Unfortunately, Shelleen is a raging drunk who is so inebriated and unsteady with a gun he literally misses the broad side of a barn.
Val Kilmer plays suave espionage hero Simon Templar--aka The Saint--and Elisabeth Shue costars in this atmospheric mix of bold adventure and grand romance. An array of sophisticated gadgetry is at Templar's command as he plunges into a cloak-and-dagger netherworld of move and countermove. Cool, too, is Templar's knack for coming up with the right disguise at theiright time. Now you see him. Now you don't... or do you? Each close-call escape is a breathless miracle--and no one knows miracles better than a saint.
When two Italian-American boys from New York are falsely accused of murder in a small Alabama town, they call for a lawyer--but the only lawyer they know is their cousin Vinny (Joe Pesci), who made six attempts before he passed his bar exam. My Cousin Vinny is a classic fish-out-of-water comedy; the flimsy plot about clearing the two boys and solving the murder is just a hook to support a lot of culture-clash humor.
They don't really make many romantic comedies like Notting Hill anymore--blissfully romantic, sincerely sweet, and not grounded in any reality whatsoever. Pure fairy tale, and with a huge debt to Roman Holiday, Notting Hill ponders what would happen if a beautiful, world-famous person were to suddenly drop into your life unannounced and promptly fall in love with you. That's the crux of the situation for William Thacker (Hugh Grant), who owns a travel bookshop in London's fashionable Notting Hill district.
