Corruption. Extortion. Sometimes, even, assassination. For the tradition-bound mob bosses of Manhattan's Chinatown, there are age-old ways of running things. And now there's police captain Stanley White's way. Mickey Rourke portrays White, a war veteran who has a Vietnam-sized chip on his shoulder when dealing with an emerging blood feud in Chinatown. John Lone plays the crime lord standing in the line of fire of White's relentless campaign.
Bernie Mac is perfectly cast in Mr. 3000, a feel-good baseball comedy that capitalizes on Mac's established comedy persona. He plays Stan Ross, veteran first-baseman for the struggling Milwaukee Brewers, who quit the team during a pennant race and, nine years later, discovers that he's actually three hits short of his 3,000 career-hit claim to fame. When he attempts a comeback to correct his record, his selfish past returns to haunt him, along with a former flame (Angela Bassett, who deserves better roles) who's covering Stan's return to baseball for ESPN.
From the creator of Sledge Hammer comes Hexed, a side-splitting spoof of erotic thrillers, starring Arye Gross and Claudia Christian. Gross is Matthew, a humble hotel clerk who dreams of bigger things. Christian is Hexina, a world-famous model. When she checks into Matthew's hotel, he lies his way into a date with her. But after an evening of hilarious, heart-stopping sex, Matthew realizes that Hexina's insatiable lust for sex is topped only by her lust for blood, and he's now her prime target.
Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it's remarkable that Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing.
Just when you think it's getting silly, Cellular serves up another tantalizing twist. In the time-honored tradition of Sorry, Wrong Number and Wait Until Dark, Kim Basinger is well-cast as a resourceful damsel-in-distress who thwarts her kidnappers by connecting with a n'er-do-well cell-phone user (Chris Evans, later seen in The Fantastic Four) who races against time to rescue her from afar. One good cop (William H.
A malicious motorcycle gang harasses the residents of a small California town, intimidating most residents to not report them to the police. Among the gang's crimes is the rape of four young women. As the gang attempts to threaten the women into not testifying at the indictment hearing, one of the women, Vicki, comes under the protection of Billy Jack, who has also had several altercations with the gang. The gang escalates their pressure on both Vicki and Billy Jack to keep her out of the courtroom.
After a string of mediocre movies, director Tim Burton regains his footing as he shifts from macabre fairy tales to Southern tall tales. Big Fish twines in and out of the oversized stories of Edward Bloom, played as a young man by Ewan McGregor (Moulin Rouge, Down with Love) and as a dying father by Albert Finney (Tom Jones). Edward's son Will (Billy Crudup, Almost Famous) sits by his father's bedside but has little patience with the old man's fables, because he feels these stories have kept him from knowing who his father really is.
Conquering 90% of the known world by the age of 25, Alexander the Great (Farrell) led his armies through 22,000 miles of sieges and conquests in just eight years. Coming out of tiny Macedonia, Alexander led his armies against the mighty Persian Empire, drove west to Egypt, and finally made his way east to India. This film will concentrate on those eight years of battles, as well as his relationship with his boyhood friend and battle mate, Hephaestion. Alexander died young, of illness, at 33.
Stanley Kubrick was only 31 years old when Kirk Douglas (star of Kubrick's classic Paths of Glory) recruited the young director to pilot this epic saga, in which the rebellious slave Spartacus (played by Douglas) leads a freedom revolt against the decadent Roman Empire. Kubrick would later disown the film because it was not a personal project--he was merely a director-for-hire--but Spartacus remains one of the best of Hollywood's grand historical epics.
David Lean focused all his talent as an epic-maker on Boris Pasternak's sweeping novel about a doctor-poet in revolutionary Russia. The results may sometimes veer toward soap opera, especially with the screen frequently filled with adoring close-ups of Omar Sharif and Julie Christie, but Lean's gift for cramming the screen with spectacle is not to be denied. The streets of Moscow, the snowy steppes of Russia, the house in the country taken over by ice; these are re-created with Lean's unerring sense of grandness.
