Michael Douglas, Kathleen Turner, and Danny DeVito reunited for a third time to fabulous effect in this dark, disturbing comedy of martial trauma and revenge, which couldn't be more different from their sunnier outings in Romancing the Stone and The Jewel of the Nile.
In this riveting, behind-the-scenes look at big business in the 1980s, an ambitious stockbroker (Charlie Sheen) is lured into the illegal, lucrative world of corporate espionage when he is seduced by the power, status and financial wizardry of Wall Street legend Gordon Gekko (Michael Douglas). But he soon discovers that the pursuit of overnight riches comes at a price that's too high to pay. Daryl Hannah and Martin Sheen costar in Oliver Stone's gripping morality tale about the American dream gone wrong.
After returning from World War II, a young G.I. named Paul Sutton (Keanu Reeves) finds he has little in common with the wife he left behind. Disillusioned, he heads north to work as a traveling salesman. There he meets the daughter (Anita Sanchez-Gijon), of a wealthy vineyard owner (Giancarlo Giannini). On her way home, she's terrified of what her domineering father will do when he learns she's unmarried and pregnant. The young man gallantly offers to help by posing as her husband for one night, unaware that doing so will change both their lives forever.
Not only was Barry Levinson's comedy shot in a relatively fast period of 29 days, the satire of politics and show business feels as if it were made yesterday. There's a fresh spin quite evident here, a nervy satire of a presidential crisis and the people who whitewash the facts. The main players are a mysterious Mr. Fix-It (Robert De Niro), veteran Hollywood producer (Dustin Hoffman), and a White House aide (Anne Heche). Can the president's molesting of a young girl be buried in the two weeks before an election? A war in Albania just might do the trick.
David Aames (Tom Cruise) appears to lead a charmed life. Handsome, wealthy and charismatic, the young New York City publishing executive's freewheeling existence is enchanting, yet he seems to be missing something. Then, in one night David meets Sofia (Penelope Cruz), the girl of his dreams, but loses her by making a small mistake. Thrust unexpectedly onto a roller-coaster ride of romance, comedy, suspicion, love, sex and dreams, David finds himself on a mind-bending search for his soul and discovers the precious, ephemeral nature of true love.
Winner of two 1995 Academy Awards, including Best Original Screenplay, this masterful, atmospheric film noir enraptured audiences with its complex and riveting storyline, gritty, tour-de-force performances (including an Oscar-winning turn by Kevin Spacey) and a climax that is truly deserving of the word stunning. This "thoroughly engrossing film" (HBO) is so "gripping and diabolically clever" (The Wall Street Journal) that it becomes "a maze you'll be happy to get lost in" (Los Angeles Times)! Held in an L.A.
John Travolta traded in disco duds for a cowboy hat in this corny love story about a working man who breaks up with his girlfriend (Debra Winger), then plays out their relationship's turmoil inside a huge honky-tonk called Gilley's. The story essentially parallels Travolta's prior hit film, Saturday Night Fever, in its blend of ordinary life, incomplete relationships, and personal pride channeled into niche stardom at a neighborhood club.
As noted critic Pauline Kael wrote, the 1987 box-office hit The Untouchables is "like an attempt to visualize the public's collective dream of Chicago gangsters." In other words, this lavish reworking of the vintage TV series is a rousing potboiler from a bygone era, so beautifully designed and photographed--and so craftily directed by Brian De Palma--that the historical reality of Prohibition-era Chicago could only pale in comparison.
Jonathan Kaplan (The Accused) directed this creepy thriller about an outwardly friendly cop (Ray Liotta) who attaches himself to a married couple (Kurt Russell, Madeleine Stowe) whom he helps during a crisis. In short order, he's revealed to be a psychopath who wants Russell's wife, but the film is about more than Liotta's mental state. A bold script and Kaplan's astute direction peel away the layers of masculine identity in the male leads and underscore the painful conflicts good men feel when faced with classic territorial challenges.
John Candy stars in this John Hughes comedy as an idle, good-natured bachelor who's left in charge of his nephew and nieces during a family crisis. Unaccustomed to suburban life, fun-loving Uncle Buck soon charms his younger relatives Miles and Maizy with his hefty cooking and his new way of doing the laundry. But his carefree style doesn't impress everyone, including Tia (Jean Kelly), his rebellious teenage niece, and Chanice (Amy Madigan), his impatient girlfriend. Uncle Buck is the last person you'd think of to watch the kids.
