French

Blake Edwards's delightful Victor/Victoria may be one of the last of the great, old-style movie musical comedies--it is so good, it was turned into a hit Broadway stage musical years later. And both versions starred Edwards's wife Julie Andrews (the former Mary Poppins) in the title role--as Victor and Victoria. She's a down-and-out singer who hooks up with a flamboyantly gay theatrical veteran (Robert Preston), and together they become the toast of 1934 Paris by dreaming up a provocative nightclub act in which Victoria assumes the identity of a man in drag.

This second ironic send-up of the old Sherwood Schwartz sitcom is even funnier than The Brady Bunch Movie. Shelley Long and Gary Cole return as the married heads of the merged family known as the Bradys, and Christopher Daniel Barnes and Christine Taylor reprise their roles as eldest stepsiblings Greg and Marcia. As with the first film, the clever premise finds the Brady clan caught in a kind of '70s time warp, while the rest of the world has moved well into the '90s. Greg is still looking for a "groovy girlfriend," Mr.

Clint Eastwood is a hard-hitting high plains drifter who rides into town and single-handedly rescues a local nun (Shirley MacLaine) from a gang of attackers. After meeting a band of Mexican revolutionaries bent on resisting the French occupation of Mexico, the cowboy and Sister Sara decide to join forces with the freedom fighters and set off on a deadly mission to capture the enemy's garrison. But along the way, a steamy romance develops between them when the soft-spoken hero discovers the nun is not what she seems.

Director Peter Bogdanovich (The Last Picture Show) tipped his hat to the classic screwball comedies of the 1930s, and especially the most glorious of them all, Howard Hawks' Bringing Up Baby. Barbra Streisand plays a charming flake who distracts a self-absorbed musicologist (Ryan O'Neal). He's engaged to be married, but soon Streisand's character has him chasing after stolen jewelry and getting into one madcap fix after another.

The winner of 10 Academy Awards, this 1961 musical by choreographer Jerome Robbins and director Robert Wise (The Sound of Music) remains irresistible. Based on a smash Broadway play updating Shakespeare's Romeo and Juliet to the 1950s era of juvenile delinquency, the film stars Natalie Wood and Richard Beymer as the star-crossed lovers from different neighborhoods--and ethnicities.

Blaxploitation movies deserve a good spoofing, and Undercover Brother tweaks the subgenre with a few good laughs. But what might have been an Afro-centric Austin Powers (adapted by John Ridley from his Internet film series) is instead a lackluster comedy with one basic joke: "Whitey"--personified as a faceless corporate despot known as "the Man"--has the power, but black folks have soul. With enough funk to make Shaft look passZ, Eddie Griffin plays "U.B." with an oversized 'fro and a firm grasp of comedic possibilities. He's recruited by the B.R.O.T.H.E.R.H.O.O.D.

If you ever need dramatic proof that adultery is inevitably destructive, look no further than Adrian Lyne's Unfaithful. Drawing inspiration from Claude Chabrol's 1969 film La Femme InfidËle, the director of Fatal Attraction is mining similar territory here, but this grownup thriller is more intimate than Lyne's dead-bunny potboiler, probing more deeply into the rush of conflicting emotions provoked by infidelity.

Just when you thought it was safe to go back to the casino, along comes the Griswold family from the popular series of National Lampoon's Vacation movies, raising a ruckus in the now family-friendly gambling capitol of the world. Clark (Chevy Chase), the bumbling Griswold patriarch, gets into his usual quota of trouble--especially on a sightseeing trip to the Hoover Dam (where puns on the word "dam" come fast, furious, and idiotic). Meanwhile, Mrs.

We are initiating a hard-target search for a fugitive in an ever-widening perimeter. We will navigate swamps, prowl Manhattan streets, search every house and doghouse. And since Marshal Sam Gerard leads the hunt, we will experience suspense, action and daring twists every step of the way. Returning to his Oscar-winning role from The Fugitive, Tommy Lee Jones joins Wesley Snipes and Robert Downey Jr. in delivering adrenaline-rush excitement.

The mission is clear. Get in. Get the general. Get out. Commandos charged with freeing a U.S. general from an Alpine fortress should also be told to trust nothing - including the search-and-rescue orders just issued. Richard Burton and Clint Eastwood go Where Eagles Dare in this twisty World War II thriller written by action master Alistair MacLean (The Guns of Navarone, Ice Station Zebra) and directed by Brian G. Hutton (Kelly's Heroes). Known for fiery dramatic roles, Burton ventures into the realm of movie pyrotechnics with dynamic efficiency.