French

A feel-good movie that highlights the beauty of France as much as it does its stars, A Good Year provides a languid, gorgeous viewing experience. Director Ridley Scott and Russell Crowe--who first worked together on the Academy Award-winning Gladiator--are reunited in this romantic film, which is based on Peter Mayle's book A Year in Provence. Crowe plays Max, a workaholic London bonds trader who doesn't know the meaning of vacation. When his uncle dies, leaving him a picturesque estate in the south of France, Max views it as an opportunity to cash in the vinery and pocket the profits.

Twister was a mega-million-dollar blockbuster--helmed by a director (Dutchman Jan de Bont) hot off another scorcher hit (Speed)--that flaunted state-of-the-art digital effects and featured a popular leading actress (Helen Hunt) who would win an Academy Award for her next film (As Good As It Gets). But ask anybody who's seen it and they'll tell you who the real star of Twister is: the cow.

Achieving balance in one's life can be a difficult process, but master chef Kate Armstrong (Catherine Zeta-Jones) leads a regimented, very ordered existence running the kitchen of an exclusive restaurant and revels in the sense of power and control her career affords. When Kate's sister is unexpectedly killed in an automobile accident and her 9-year old niece Zoe (Abigail Breslin) comes to live with Kate, Kate's life is turned completely upside down and she is suddenly forced to split her focus between work and family.

Spectacular animated action scenes turn the ancient epic poem Beowulf into a modern fantasy movie, while motion-capture technology transforms plump actor Ray Winstone (Sexy Beast) into a burly Nordic warrior. When a Danish kingdom is threatened by the monster Grendel (voiced and physicalized by Crispin Glover, River's Edge), Beowulf--lured by the promise of heroic glory--comes to rescue them. He succeeds, but falls prey to the seductive power of Grendel's mother, played by Angelina Jolie...

Lust, Caution, Ang Lee's follow up to Brokeback Mountain, for which he won the Academy AwardÆ for Best Director, continues his exploration of people with a passion for each other trapped in a world where their passion could be life-threatening, but in a very different context this time. Set in China during the Japanese occupation of early World War II, the underlying plot concerns the story of young Wong Chia Chi (Tang Wei), an actress and member of a small group of student resistors planning to infiltrate the home of Mr.

As the evil Ugandan dictator Idi Amin, Forest Whitaker gives an unforgettable performance in The Last King of Scotland. Powerfully illustrating the terrible truth that absolute power corrupts absolutely, this fictionalized chronicle of Amin's rise and fall is based on the acclaimed novel by Giles Foden, in which Amin's despotic reign of terror is viewed through the eyes of Nicholas Garrigan (James McAvoy), a Scottish doctor who arrives in Uganda in the early 1970s to serve as Amin's personal physician.

Will Smith stars in the third adaptation of Richard Mathesonís classic science-fiction novel about a lone human survivor in a post-apocalyptic world dominated by vampires. This new version somewhat alters Mathesonís central hook, i.e., the startling idea that an ordinary man, Robert Neville, spends his days roaming a desolated city and his nights in a house sealed off from longtime neighbors who have become bloodsucking fiends. In the new film, Smithís Neville is a military scientist charged with finding a cure for a virus that turns people into crazed, hairless, flesh-eating zombies.

Fantastic Four: Rise of the Silver Surfer is another entertaining romp for the Marvel-superhero franchise. Reed Richards, Mr. Fantastic (Ioan Gruffudd), is treading on thin ice when his fiancÈe, Sue Storm, the Invisible Woman (Jessica Alba), thinks he's more interested in a series of cosmic phenomena occurring around the earth than in the preparations for their upcoming wedding. Sorry, ladies, but Reed is right.

Political movies about backroom negotiations need not be dry or heavy-handed, as Charlie Wilson's War delightfully proves. Based on the true story of playboy congressman Wilson's efforts to fund Afghanistan's defense against the Soviet invasion of the 1980s, the film is borne along on breezy attitude and a peppery script by West Wing scribe Aaron Sorkin.

Neil Jordan's somber The Brave One is a lot of things. A reflective movie about a crime victim's sense of dislocation and isolation from her own life following a harrowing trauma, the film will strike a chord with a lot of people who have known violence. The Brave One is also a provocative drama about the nature of justice, a theme explored endlessly in American movies that typically find law enforcement wanting. In Jordan's film, however, the conflict between instinctive vigilantism and legal protocols is approached with more deliberateness and complexity than usual.