French

The Dark Knight arrives with tremendous hype (best superhero movie ever? posthumous Oscar for Heath Ledger?), and incredibly, it lives up to all of it. But calling it the best superhero movie ever seems like faint praise, since part of what makes the movie great--in addition to pitch-perfect casting, outstanding writing, and a compelling vision--is that it bypasses the normal fantasy element of the superhero genre and makes it all terrifyingly real. Harvey Dent (Aaron Eckhart) is Gotham City's new district attorney, charged with cleaning up the crime rings that have paralyzed the city.

Danny Boyle (Sunshine) directed this wildly energetic, Dickensian drama about the desultory life and times of an Indian boy whose bleak, formative experiences lead to an appearance on his country's version of "Who Wants to Be a Millionaire?" Jamal (played as a young man by Dev Patel) and his brother are orphaned as children, raising themselves in various slums and crime-ridden neighorhoods and falling in, for a while, with a monstrous gang exploiting children as beggars and prostitutes.

Director Joe Wright (Pride and Prejudice) gives Ian McEwanís bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey.

A superb cast and an even-handed treatment of a true story buoy Into the Wild, Sean Penn's screen adaptation of Jon Krakauer's bestselling book.

Unmistakably a shot at greatness, Paul Thomas Anderson's There Will Be Blood succeeds in wild, explosive ways. The film digs into nothing less than the sources of peculiarly American kinds of ambition, corruption, and industry--and makes exhilarating cinema from it all. Although inspired by Upton Sinclair's 1927 novel Oil!, Anderson has crafted his own take on the material, focusing on a black-eyed, self-made oilman named Daniel Plainview (Daniel Day-Lewis), whose voracious appetite for oil turns him into a California tycoon in the early years of the 20th century.

In his most effective thriller since Enemy of the State, Tony Scott makes time travel seem plausible. It helps that his New Orleans hero, ATF agent Doug Carlin (Denzel Washington in his third go-round with the director), spends more time in the present than the past. In order to catch a terrorist, FBI Agent Pryzwarra (Val Kilmer) invites Carlin to join forces. They have the technology to see the past. He has the expertise to interpret the data. Unfortunately, the bomb has already gone off and hundreds of ferry passengers have died.

"Dad, what does 'fluorescent' mean?" asks a winsome young Dory of his doting dad, played by David Duchovny. Pondering a moment, dad answers, "It means, 'lit from within." "So Dad, am I fluorescent?'" "Yes, Dory, you are." The touching, brief moment telegraphs the bond Duchovny's character, Brian, has with his family, including wife Audrey (Halle Berry) and daughter Harper (Alexis Llewellyn), and the love that radiates through and around him. When tragedy strikes early in the film, Berry and the children must acknowledge, and somehow heal, the hole left in their lives.

The Pixar-like roll of Judd Apatow (The 40-Year-Old Virgin, Knocked Up, Superbad) continues with another sure-fire hit. In charting the meteoric rise, catastrophic fall and Lazarus-like rise of rocker Dewey Cox, Walk Hard parodies the classic Hollywood bio-pic, cashing in mostly on Walk the Line. John C.

In We Own the Night, Joaquin Phoenix, whose eyes burn with sullen anger even when he's looking at the woman he loves, plays Bobby Green, a nightclub manager in the 1980s who gets caught between his blood family he tried to leave behind--a long line of police officers--and his chosen family of friends and business partners, who turn out to be drug dealers. His father (Robert Duvall) and brother (Mark Wahlberg) want Bobby to help their investigation, but Bobby resists--until the conflict takes a brutal turn.

Lest there be any doubts about the ongoing relevance of the novels of Jane Austen, the charming Jane Austen Book Club will lay them to rest--with wit, sharp insight, and a wicked chuckle or three. Directed by the talented Robin Swicord, who adapted the book by Karen Joy Fowler (and also wrote the crackling screenplay for the 1994 version of Little Women), the film is a modern-day comedy of manners, with deeply felt emotions, repressed feelings, unquenched desire and embarrassing relatives--all staples of Austen works.