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Based on Oscar Wilde's play, The Importance Of Being Earnest is the hilarious adventure of two young bachelors who create alter egos in order to find romance. Worthing is a wealthy chap who resides in the country but often visits the city as his "brother" Ernest. There he falls in love with the beautiful Gwendolyn. Montcrieff is Worthing's boisterous friend who lives in the city and spends money beyond his means. In order to escape bill collectors and boring dinner parties, Montcrieff creates "Bumbry," a sick friend whom he often visits out of town.

David Mamet's Heist is--not unlike many of his previous films--amusing, manicured, and fraught with an awkward tension. If you've seen The Spanish Prisoner or House of Games, you're by now familiar with the plot-subverting gambit of the double-cross turned triple- and then quadruple-cross. Heist sticks to the formula.

I.Q. has all the elements of a classic romantic comedy. Certainly Meg Ryan has demonstrated she has the stuff for funny love with films such as When Harry Met Sally... and Sleepless in Seattle, and director Fred Schepisi's Roxanne ranks among top contemporary romantic comedies. Even though Tim Robbins received acclaim for dramatic work in Jacob's Ladder and The Shawshank Redemption, his early comedic work shouldn't be forgotten (well, maybe Howard the Duck, but not the hilarious Sure Thing). And Walter Matthau? No explanation needed.

In 1992, Woody Allen and Mia Farrow--heretofore the Lunt and Fontanne of Hollywood on the Hudson--went public with a media-saturated battle over Allen's affair with Farrow's adopted daughter. Only a few months later, Allen released this film, starring himself and Farrow acting out a virtually identical plot line: an unhappy marriage begins to crumble when the husband strays with a much younger woman (in this case, one of his students, played by Juliette Lewis).

Jennifer Connelly followed up her Academy Award for A Beautiful Mind with this dark but moving story of small mistakes that escalate, with tragic necessity, to disaster. In House of Sand and Fog, Kathy (Connelly) gets evicted from her house for failing to pay a tax she never should have been charged in the first place. The house is swiftly put up for auction and bought by a former military officer from Iran named Behrani (Ben Kingsley, Sexy Beast).

The sequel to the wonderfully wacky Hot Shots! uses Rambo as its model for nonstop send-ups (though director Jim Abrahams can't resist inserting a Saddam Hussein lookalike, given the film's post-Gulf War release). This time, Lloyd Bridges, who was an admiral in the first movie, has become president (take that, Colin Powell!) and needs someone to take care of the threat posed by a certain mustached Middle Eastern dictator. Who better than ever-reliable Topper Harley (Charlie Sheen)?

The gang that created Airplane and The Naked Gun sets its sights on Top Gun in this often hilarious spoof starring Charlie Sheen, who previously only inspired laughs with his personal life. He plays Topper Harley, a fighter pilot with an ax to grind: clearing the family name. He gets involved in a relationship with Valerie Golino, a woman with an unusually talented stomach. But his mission is to avenge his father. Lloyd Bridges, late in his career, revealed an aptitude for this kind of silliness, here as a commander who is both incredibly dim and delightfully accident prone.

One of the most rousingly enjoyable sports movies ever made, this small-town drama tells the story of the Hickory Huskers, an underdog basketball team from a tiny Indiana high school that makes it all the way to the state championship tournament. It's a familiar story, but sensitive direction and a splendid screenplay helped make this one of the best films of 1986, highlighted by the superb performances of Gene Hackman as the Huskers' coach, and Oscar nominee Dennis Hopper as the alcoholic father of one of the team's key players.

ow and forever a favorite among kids, this 1990 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the screen during several funny sequences, the most famous of which finds him screaming for joy when he realizes he's unsupervised in his own house.

Val Waxman (Allen) was big-time movie director in 1970's and 1980's but is washed up now and just gets commercial directing jobs. He gets another chance at a directing a big film but goes temporarily blind from paranoia. Instead of losing the job, Val and his friends try to make the movie without the executives finding out about the blindness.