Wallace Ritchie, an American vacationer in London, doesn't know that the bullets are real and the truth serum true. He thinks the intrigue erupting around him is part of an audience-participation theater event. Yet the world's fate depends on this gullible goofus who can't even spell CIA. Bill Murray is Ritchie, the naive spy who comes in very bold in The Man Who Knew Too Little. He can't believe how believable the make-believe is.
The Majestic is an old-fashioned throwback replete with a 1950s B-script and halcyon values like patriotism, true love, and clean fun. Peter Appleton (Jim Carrey) is a Hollywood scriptwriter with a sexy gal, a screenplay under his belt, and his big break on the horizon. But when his name is mistakenly given to the House Un-American Activities Committee, Appleton's dreams of success in the biz quickly unravel.
A perfume magnate (Barbra Streisand), with plenty of chutzpah, falls victim to an embezzling employee who takes her for everything she owns. Well, almost everything.... There is one $60,000 investment that still belongs to her -- a washed up prizefighter (Ryan O'Neal) with a sore paw, whose talents had been purchased as a tax write-off. Seeing him as her only chance to recoup some of her former wealth, she decides to manage the mild-mannered boxer's career herself. Can she stimulate a return to championship form?
When a mysterious wave of killings sweeps the Mafia underworld, it's Inspector "Dirty Harry" Callahan who answers with Magnum Force. In this sequel to "Dirty Harry," a San Francisco homicide detective investigating a rash of gangster murders discovers they are the work of a rookie police assassination squad. Despite a demotion by Lt. Neil Briggs for his questionable methods, Harry will stop at nothing to find the killers.
Two men enter. One man leaves. That's the law in Bartertown's Thunderdome arena. Mad Max Beyond Thunderdome stars Mel Gibson for his third go-round as the title hero who takes on the barbarians of the post-nuclear future - and this time becomes the savior of a tribe of lost children. Music superstar Tina Turner steals what's left of the screen as Aunty Entity, a power-mad dominatrix determined to use Max to tighten her stranglehold on Bartertown.
With no fewer than eight couples vying for our attention, Love Actually is like the Boston Marathon of romantic comedies, and everybody wins. Having mastered the genre as the writer of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time director Richard Curtis is just like his screenplays: He just wants to be loved, and he'll go to absurdly appealing lengths to win our affection.
The disaster that occurred at Jurassic Park is over. It's been four years since the genetically bred dinosaurs terrorized the scientists and visitors who had come to marvel at their existence. But Dr. Ian Malcolm (Jeff Goldblum) has just learned some very disturbing news: John Hammond (Richard Attenborough), the billionaire entrepreneur who funded the original Park, has been breeding more dinosaurs at a second, secret location. What's even more shocking to Dr.
Sam and his older brother Michael are all American teens with all American interests. But after they move with their mother to peaceful Santa Carla, California, things mysteriously begin to change. Michael's not himself lately. And Mom's not going to like what he's turning into. The Lost Boys reshapes vampire tradition, deftly mixing heart pounding terror, rib tickling laughs and a body gyrating rock soundtrack.
Roger Moore was introduced as James Bond in this 1973 action movie featuring secret agent 007. More self-consciously suave and formal than predecessor Sean Connery, he immediately reestablished Bond as an uncomplicated and wooden fellow for the feel-good '70s. This film also marks a deviation from the more character-driven stories of the Connery years, a deliberate shift to plastic action (multiple chases, bravura stunts) that made the franchise more of a comic book or machine.
Recovering from the box-office disappointment of The Cable Guy, Jim Carrey gave his fans what they wanted in this good-natured and frequently hilarious 1997 comedy. In a vehicle tailor-made for his verbal and physical antics, Carrey plays a lawyer whose penchant for prevarication is tested when his son makes a birthday wish that his father would tell the truth, the whole truth, and nothing but the truth for 24 hours, so help him God!
