Korean

They don't really make many romantic comedies like Notting Hill anymore--blissfully romantic, sincerely sweet, and not grounded in any reality whatsoever. Pure fairy tale, and with a huge debt to Roman Holiday, Notting Hill ponders what would happen if a beautiful, world-famous person were to suddenly drop into your life unannounced and promptly fall in love with you. That's the crux of the situation for William Thacker (Hugh Grant), who owns a travel bookshop in London's fashionable Notting Hill district.

Four extremely beautiful people do extremely horrible things to one another in Closer, Mike Nichols' pungent adaptation of Patrick Marber's play that easily marks the Oscar-winning director's best work in years. Anna (Julia Roberts) is a photographer who specializes in portraits of strangers; Dan (Jude Law) is an obituary writer struggling to become a novelist; Alice (Natalie Portman) is an American stripper freshly arrived in London after a bad relationship; and Larry (Clive Owen) is a dermatologist who finds love under the most unlikely of circumstances.

One of the touchstone movies of the 1980s, Tootsie stars Dustin Hoffman as an out-of-work actor who disguises himself as a dowdy, middle-aged woman to get a part on a hit soap opera. The scheme works, but while he/she keeps up the charade, Hoffman's character comes to see life through the eyes of the opposite sex. The script by Larry Gelbart (with Murray Schisgal) is a winner, and director Sydney Pollack brings taut proficiency to the comedy and sensitivity to the relationship nuances that emerge from Hoffman's drag act.

Taxi Driver is the definitive cinematic portrait of loneliness and alienation manifested as violence. It is as if director Martin Scorsese and screenwriter Paul Schrader had tapped into precisely the same source of psychological inspiration ("I just knew I had to make this film," Scorsese would later say), combined with a perfectly timed post-Watergate expression of personal, political, and societal anxiety.

There's Something About Mary is one of the funniest movies in years, recalling the days of the Zucker-Abraham-Zucker movies, in which (often tasteless) gags were piled on at a fierce rate. The difference is that cowriters and codirectors Bobby and Peter Farrelly have also crafted a credible story line and even tossed in some genuine emotional content. With Mary, the Farrelly brothers have created a consistently hilarious romantic comedy, made all the funnier by the fact that you know that they know that some of their gags go way over the line.

Written by Herman Raucher, Summer of '42 is one of the screen's most haunting romances. A nation is caught up in a war that will forever change it. At a New England beach colony, 15-year-old Hermie (Gary Grimes) is caught up in a passion that will forever change him: he's infatuated with 22-year-old Dorothy (Jennifer O'Neill), whose soldier/husband is away at war.

This excellent movie chronicles the lives of seven friends after their graduation from Georgetown University. Alec (Judd Nelson) is an aspiring politician who has become an aide to a United States Senator. His girlfriend Leslie (Ally Sheedy) is feeling pressured by Alec to make a commitment to marriage which she is not yet ready to make. Kevin (Andrew McCarthy) is a no-nonsense thinker in his views on life. He believes that there is no such thing as a good marriage, and people make their own happiness.

One of the looniest pictures to come along in some time! Stir Crazy teams two of the most brilliant and zany comic performers today: Richard Pryor and Gene Wilder. Skip (Wilder) and Harry (Pryor) have both just been fired from their jobs, so they take off in their van for California to seek fame and fortune. But somewhere along the way the van konks out, and they're broke and... well, they have to eat, right? So they land a gig as singing and dancing woodpeckers to promote a bank opening. When two bank robbers steal their costumes and stick up the bank, guess who gets the blame?

A sleeper hit when released in 1986, Stand by Me is based on Stephen King's novella "The Body" (from the book Different Seasons); but it's more about the joys and pains of boyhood friendship than a morbid fascination with corpses. It's about four boys ages 12 and 13 (Wil Wheaton, River Phoenix, Corey Feldman, Jerry O'Connell) who take an overnight hike through the woods near their Oregon town to find the body of a boy who's been missing for days.

For devoted fans and nonfans alike, Spider-Man offers nothing less--and nothing more--than what you'd expect from a superhero blockbuster. Having proven his comic-book savvy with the original Darkman, director Sam Raimi brings ample energy and enthusiasm to Spidey's origin story, nicely establishing high-school nebbish Peter Parker (Tobey Maguire) as a brainy outcast who reacts with appropriate euphoria--and well-tempered maturity--when a "super-spider" bite transforms him into the amazingly agile, web-shooting Spider-Man.