The two-disc edition of Sin City easily makes the earlier single-disc theatrical-cut release obsolete by including the regular theatrical cut on the first disc, recutting the movie into four extended segments on the second disc (separated by story line), then piling on an impressive load of bonus features. But there's a catch.
The Constant Gardener is the kind of thriller that hasn't been seen since the 1970s: Smart, politically complex, cinematically adventurous, genuinely thrilling and even heartbreaking. Mild diplomat Justin Quayle (Ralph Fiennes, The English Patient, Schindler's List) has a loose cannon of a wife named Tessa (Rachel Weisz, The Shape of Things, The Mummy), who's digging into the dirty doings of a major pharmaceutical company in Kenya. Her brutal murder forces Justin to continue her investigation down some deadly avenues.
With a terrific cast at his service, director Phillip Noyce (Dead Calm, Patriot Games) turns the pulpy indulgence of Jeffery Deaver's novel into a slick potboiler that is grisly fun. Noyce expertly builds palpable tension around a series of gruesome murders that lead us into the darkest nooks of New York City. Now a bedridden quadriplegic prone to life-threatening seizures and suicidal depression, forensics detective Lincoln Rhyme (Denzel Washington) gets a new lease on life with a sharp young beat cop (Angelina Jolie) who's a wizard at analyzing crime scenes.
Based on the true story of Domino Harvey (Keira Knightley), daughter of film actor Laurence Harvey. Tired and unsuited to the pretentiousness of her high-society LA life, Domino leaves the glittarti behind and sets off to become a bounty hunter. She quickly falls under the wing of veteran hunter Ed Mosley (Mickey Rourke) and his crew and becomes an unlikely natural in the art of bounty hunting.
On the surface, David Cronenberg may seem an unlikely candidate to direct A History of Violence, but dig deeper and you'll see that he's the right man for the job. As an intellectual seeker of meaning and an avowed believer in Darwinian survival of the fittest, Cronenberg knows that the story of mild-mannered small-town diner proprietor Tom Stall (Viggo Mortensen) is in fact a multilayered examination of inbred human behavior, beginning when Tom's skillful killing of two would-be robbers draws unwanted attention to his idyllic family life in rural Indiana.
The original caped crusader is back! Antonio Banderas and Academy Award-winner Catherine Zeta-Jones (2002, Best Supporting Actress, Chicago) return for more swashbuckling action, adventure and excitement in the explosive cinematic thrill-ride, The Legend of Zorro! Having spent the last ten years fighting injustice and cruelty, Alejandro de la Vega (Banderas) is now facing his greatest challenge: his loving wife Elena (Zeta-Jones) has thrown him out of the house! Elena has filed for divorce and found comfort in the arms of Count Armand (Rufus Sewell), a dashing French aristocrat.
One of the best action movies ever made, in a cleaned-up print restoring crucial parts of the story. No cavalry ever rode in with more epochal impact than the Wild Bunch in the legendary opening scene. Their steel-eyed leader, Pike (William Holden), and his robbers in stolen army uniforms help an old lady across the street, and then spark a massacre led by Pike's old crony Thornton (Robert Ryan), sprung from jail to hunt down his old gang.
Academy Award winner Al Pacino and Matthew McConaughey star in this adrenaline-charged drama about the sexy, high-stakes world of sports betting, where fortunes can be made and lost with the flip of a coin. When Brandon Lang (McConaughey) becomes the protÈgÈ of sports gambling's power player, Walter Abrams (Pacino), he swiftly becomes the golden boy of the high-rolling world for consistently picking football winners. Now, with millions on the line, he finds himself in a deadly game of con-versus-con with his new mentor.
Elegantly adapted from David Auburn's Pulitzer Prize-winning play, Proof works on so many levels that it shines like a perfected equation. Gwyneth Paltrow previously played her role onstage, and returns here as Catherine, the troubled 27-year-old daughter of Robert, a once-brilliant mathematician (Anthony Hopkins, appearing in flashbacks and imagined visions) who has recently died. What Robert has left behind is an emotionally challenging legacy of genius, mental illness, and unfinished business in the Chicago home where Catherine had cared for him during his erratic final years.
Literary adaptations just don't get any better than director Joe Wright's 2005 version of Jane Austen's Pride & Prejudice. The key word here is adaptation, because Wright and gifted screenwriter Deborah Moggach have taken liberties with Austen's classic novel that purists may find objectionable, but in this exquisite film their artistic decisions are entirely justified and exceptionally well executed.
