This is the story of one man, his family and how they overcome the obstacles that life puts in their way, together. It is the story of human spirit and how it ultimately prevails. Rajveer Singh (Saif Ali Khan) is a pit-crew worker in a racing team with a passion for driving who gets discovered by a team manager, Harry (Jaaved Jaaferi). The same day he accidentally meets a music student, Radhika (Rani Mukerji), who he falls for instantly.
Following hard on the heels of Dhoom, this sequel continues the action of crime fighters Jai Dixit (Abhishek Bachan) and Ali Akbar Fateh Khan (Uday Chopra). They unite with Sunehri (Aishwarya Rai),... Following hard on the heels of Dhoom, this sequel continues the action of crime fighters Jai Dixit (Abhishek Bachan) and Ali Akbar Fateh Khan (Uday Chopra). They unite with Sunehri (Aishwarya Rai), a college friend of Jai's, to snare the mysterious Mr. A (Hrithk Roshan), an intelligent and daring international thief. A talented "double agent," Sunehri ingratiates herself with Mr.
Rakesh{Abhishek Bachchan} and Vimmi{Rani Mukherji} are two ambitious wannabes from small towns where their dreams are written off as outrageous daydreaming. They run away from their homes when bump into each other and decide to con for once to be financially sound until they make it big. Ironically, they find it too exciting. One follows the another as they adopt fake names [Bunty and Babli] for the same and they soon become the most popular anonymous criminals of the nation.
Unquestionably one of the most beloved Indian films ever to come out of Bollywood. This Yash Raj comedy, romance, drama stars the incomparable Shah Rukh Khan and the beautiful Kajol as two young British Hindustani's, Raj and Simran, who meet during a one month European vacation. Things do not start out well for the two, but slowly the ongoing banter of dislike and ridicule between them transforms into friendship and finally so much more.
Priya Chopra (Rani Mukherjee) is a fashion designer and Raj Mathur (Shahrukh Khan) owns a small trucking company. They meet on the road, quarrel, and then fall for each other. Priya, who was going to Greece to become engaged to her childhood friend. Raj follows Priya to Greece and there Priya realises that she is also in love with Raj. So at the engagement party, Priya decides to marry Raj. They get married and come back to India. They have a misunderstanding between each other. Priya is about to get separated with Raj and go to Greece. But Raj's love forces her to come back to his life.
Aditya (Shahid Kapur), a defeated industrialist, is even more broken as the girl he loves is getting married. Unable to muster up the courage to return home, he drifts out of the gathering and aimlessly boards a train, bounding away into the night. As destiny would have it, on the train he meets Geet (Kareena Kapoor) � a beautiful but annoyingly talkative girl who is leaving Mumbai to go her hometown � Bhatinda (Punjab). Later, she has plans of eloping with her boyfriend. Geet irritates Aditya to the point of getting him to leave the train.
In the China of 1908, respecting one's teacher is a sign of breeding, and avenging his murder a sacred duty. When a martial arts master (Bruce Lee) learns his revered kung fu instructor has been murdered, his shock turns first to disbelief, then to anger. Determined to wrest vengeance from the gang responsible, he travels to Shanghai to hunt down the killers - and ends up facing some of his most dangerous opponents. A combination of power, grace and humor, this action-packed thriller is a Bruce Lee classic. Also known as "The Big Boss".
Critically hailed as an instant classic, Clint Eastwood's Letters from Iwo Jima is a masterwork of uncommon humanity and a harrowing, unforgettable indictment of the horrors of war. In an unprecedented demonstration of worldly citizenship, Eastwood (from a spare, tightly focused screenplay by first-time screenwriter Iris Yamashita) has crafted a truly Japanese film, with Japanese dialogue (with subtitles) and filmed in a contemplative Japanese style, serving as both complement and counterpoint to Eastwood's previously released companion film Flags of Our Fathers.
Director Joe Wright (Pride and Prejudice) gives Ian McEwanís bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey.
A superb cast and an even-handed treatment of a true story buoy Into the Wild, Sean Penn's screen adaptation of Jon Krakauer's bestselling book.
