Although it was unfortunately ignored during its brief theatrical release, this sumptuously seductive production is that rarest of cinematic breeds, the (barely) respectable guilty pleasure. Combining historical fact with hysterical anachronisms of language and mannerism, it's been tailored for maximum contemporary appeal but maintains a lush, romantic feel for its factual 16th-century tale of Venetian love, lust, and political repression.
The director of Chicago, Rob Marshall, transports us into a mysterious and exotic world that casts a potent spell. A Cinderella story like no other, Memoirs Of A Geisha stars Zhang Ziyi, Ken Watanabe, Michelle Yeoh and Gong Li. "Gorgeously photographed, meticulously directed andihypnotically acted. Memoirs of A Geisha isiluxurious, ethereal andiintoxicating. It will leave you breathless." (Rex Reed, New York Observer)
Millions wears its heart on its sleeve, and it wears it well. Two boys, still grieving the death of their mother, find themselves the unwitting benefactors of a bag of bank robbery loot in the week before the United Kingdom switches its official currency to the Euro. What's a kid to do? Director Danny Boyle takes a simple premise and, with the help of Frank Cottrell Boyce's sweet, smart script, finds something special to say about the hopes everyone has for the future of a changing world.
Based on the true story of Domino Harvey (Keira Knightley), daughter of film actor Laurence Harvey. Tired and unsuited to the pretentiousness of her high-society LA life, Domino leaves the glittarti behind and sets off to become a bounty hunter. She quickly falls under the wing of veteran hunter Ed Mosley (Mickey Rourke) and his crew and becomes an unlikely natural in the art of bounty hunting.
Daniel Day-Lewis stars as Tomas, the happily irresponsible Czech lover of Milan Kundera's novel, which is set in Prague just before and during the Soviet invasion in 1968. Lena Olin and Juliette Binoche are the two vastly different women who occupy his attention and to some extent represent different sides of his values and personality. In any case, the character's decision to flee Russian tanks with one of them--and then return--has profound consequences on his life.
Academy Award winner Al Pacino and Matthew McConaughey star in this adrenaline-charged drama about the sexy, high-stakes world of sports betting, where fortunes can be made and lost with the flip of a coin. When Brandon Lang (McConaughey) becomes the protÈgÈ of sports gambling's power player, Walter Abrams (Pacino), he swiftly becomes the golden boy of the high-rolling world for consistently picking football winners. Now, with millions on the line, he finds himself in a deadly game of con-versus-con with his new mentor.
Elegantly adapted from David Auburn's Pulitzer Prize-winning play, Proof works on so many levels that it shines like a perfected equation. Gwyneth Paltrow previously played her role onstage, and returns here as Catherine, the troubled 27-year-old daughter of Robert, a once-brilliant mathematician (Anthony Hopkins, appearing in flashbacks and imagined visions) who has recently died. What Robert has left behind is an emotionally challenging legacy of genius, mental illness, and unfinished business in the Chicago home where Catherine had cared for him during his erratic final years.
Literary adaptations just don't get any better than director Joe Wright's 2005 version of Jane Austen's Pride & Prejudice. The key word here is adaptation, because Wright and gifted screenwriter Deborah Moggach have taken liberties with Austen's classic novel that purists may find objectionable, but in this exquisite film their artistic decisions are entirely justified and exceptionally well executed.
A sterling cast and vivid direction give North Country an emotional heft to match its political convictions. Charlize Theron (Monster) plays Josey Aimes, who goes to work at a Minnesota steel mine after splitting with her violent husband. But the job proves to be almost as harrowing as her marriage; the male miners, resentful of women taking jobs, verbally abuse and play humiliating pranks on the female miners.
The dominant themes of director Sidney Lumet's distinguished career are in full force in this moral melodrama involving a young district attorney (Andy Garcia) who takes on a career-making case only to uncover his father's possible involvement in pervasive police corruption. Balancing personal ethics and political compromise in a high-wire act of power and its abuse, Lumet relies on dialogue and superb performances (including those by Ron Leibman, Richard Dreyfuss, and Lena Olin) to achieve a devastating impact.
