Comedy

Love Actually

With no fewer than eight couples vying for our attention, Love Actually is like the Boston Marathon of romantic comedies, and everybody wins. Having mastered the genre as the writer of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time director Richard Curtis is just like his screenplays: He just wants to be loved, and he'll go to absurdly appealing lengths to win our affection.

Liar Liar

Recovering from the box-office disappointment of The Cable Guy, Jim Carrey gave his fans what they wanted in this good-natured and frequently hilarious 1997 comedy. In a vehicle tailor-made for his verbal and physical antics, Carrey plays a lawyer whose penchant for prevarication is tested when his son makes a birthday wish that his father would tell the truth, the whole truth, and nothing but the truth for 24 hours, so help him God!

Legally Blonde 2

The winning comic finesse of Reese Witherspoon drives Legally Blonde 2: Red White and Blonde. It's astonishing that the sequel could possibly be daffier than the first movie, but Legally Blonde 2 leaves reality behind like an unflattering outfit. Unemployed lawyer Elle Woods (Witherspoon) sets off to our nation's capitol to ban cosmetics testing on animals, after discovering that her beloved chihuahua's own mother is being used as a test subject.

Let's Do It Again

Back in the day, when Richard Roundtree, Fred Williamson, Issac Hayes, and Pam Grier were stickin' it to the Man, Sidney Poitier and Bill Cosby collaborated on three buddy comedies that offered urban audiences an alternative to private dicks, sex machines, and bad muthas. The Uptown Saturday Nightstars re-team for an "outtasite" scam involving hypnosis, a hopeless beanpole boxer (Jimmie Good Times Walker), and two rival kingpins.

It's A Mad, Mad, Mad, Mad World

Spencer Tracy, Milton Berle, Sid Caesar, Jonathan Winters and Jimmy Durante are just a few of the stars that shine in this laugh-out-loud adventure about a goofy assortment of vacationing motorists who compete to locate a stolen fortune. It's A Mad, Mad, Mad, Mad World was the first movie to be presented in the single lens Cinerama format and originally ran over three hours. This 16x9 enhanced DVD of the general release 161 minute version is from 35mm interpositive film elements newly transferred from the 65mm Ultra Panavison originals.

Legally Blonde

When her boyfriend (Davis) ditches her simply because she's "too blonde," a beautiful fashion major (Witherspoon) vows to do anything to get him back, even if it means going to law school Elle Woods (Reese Witherspoon) is a self-absorbed sorority president and fashion major who expects to marry her college sweetheart Warner (Matthew Davis).

L.A. Story

Steve Martin is Harris Telemacher, a wacky television weatherman who thinks his life is perfect except for an erratic relationship with a style-conscious girlfriend. One bright and smoggy L.A. day, an electronic freeway sign changes his life when its advice leads him into a frivolous romance with a young and beautiful blond and, ultimately, to true love with the woman of his dreams. Set against the magic of Los Angeles, it's, like, the most hilariously romantic L.A. story you'll ever experience. Written by Steve Martin.

Jumanji

When young Alan Parrish discovers a mysterious board game, he doesn't realize its unimaginable powers, until he is magically transported before the eyes of his friend, Sarah, into the untamed jungles of Jumanji! 26 years later he is freed from the game's spell by two unsuspecting children.

Intolerable Cruelty

A sleek George Clooney and a seductive Catherine Zeta-Jones square off magnificently in the divorce comedy Intolerable Cruelty. The plot is simple: Lawyer supreme Miles Massey (Clooney, Out of Sight, Ocean's Eleven) skillfully outmaneuvers gold-digger Marylin Rexroth (Zeta-Jones, Chicago, Traffic) when she divorces her wealthy husband--and she sets out to get revenge.

The In-Laws

This 1979 comedy is absolutely indispensable for fans of Peter Falk, Alan Arkin, or Andrew Bergman, who wrote the film's screenplay and went on to direct The Freshman and Honeymoon in Vegas. (Let's forgive him for Striptease.) Arkin is extraordinarily funny as a dentist who quickly grows skeptical about the wild claims of his daughter's future father-in-law (Peter Falk) that he is a CIA agent. When he is drawn into a bizarre adventure in a banana republic, however, he takes a different view.

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