Johnny Depp and Angelina Jolie use their star power to help propel The Tourist to its ultimate, satisfying destination. It just takes a little while to get there. Director Florian Henckel von Donnersmarck (The Lives of Others) sets a leisurely pace for The Tourist, which lets the film be equal parts mystery, romance, thriller, and comedy. But because of its lush cinematography and location-based shooting, The Tourist is perhaps first and foremost a valentine to the city of Venice.
Professional tennis makes an unlikely but surprisingly effective backdrop for a lively romantic comedy in Wimbledon. Peter Cort (Paul Bettany, Master and Commander), once ranked 11th in the world, has slipped to 119th and is heading into his last Wimbledon tournament when he runs into Lizzie Bradbury (Kirsten Dunst, The Virgin Suicides, Spider-Man), a rising star. The two strike up a whirlwind romance that gives his game new life--but she insists it's going to be nothing but a passing fling.
In the capable hands of director Peter Weir, Master and Commander: The Far Side of the World is a seafaring adventure like no other, impeccably authentic, dynamically cast, and thrilling enough to give any classic swashbuckler a run for its money. In adapting two of Patrick O'Brian's enormously popular novels about British naval hero Capt.
A Beautiful Mind manages to twist enough pathos out of John Nash's incredible life story to redeem an at-times goofy portrayal of schizophrenia. Russell Crowe tackles the role with characteristic fervor, playing the Nobel prize-winning mathematician from his days at Princeton, where he developed a groundbreaking economic theory, to his meteoric rise to the cover of Forbes magazine and an MIT professorship, and on through to his eventual dismissal due to schizophrenic delusions. Of course, it is the delusions that fascinate director Ron Howard and, predictably, go astray.
