James Coburn

Akira Kurosawa's rousing Seven Samurai was a natural for an American remake--after all, the codes and conventions of ancient Japan and the Wild West (at least the mythical movie West) are not so very far apart. Thus The Magnificent Seven effortlessly turns samurai into cowboys (the same trick worked more than once: Kurosawa's Yojimbo became Sergio Leone's A Fistful of Dollars). The beleaguered denizens of a Mexican village, weary of attacks by banditos, hire seven gunslingers to repel the invaders once and for all.

Flint returns. This time the super secret agent fights a group of wealthy and powerful female tycoons who have developed a way of brainwashing women through beauty salon hair dryers! With all the women in the world enslaved, they commandeer the first U.S. space platform and then replace the President with their own surgically reproduced clone.

A stirring example of courage and the indomitable human spirit, for many John Sturges's The Great Escape is both the definitive World War II drama and the nonpareil prison escape movie. Featuring an unequalled ensemble cast in a rivetingly authentic true-life scenario set to Elmer Bernstein's admirable music, this picture is both a template for subsequent action-adventure movies and one of the last glories of Golden Age Hollywood.