Ian Wolfe

During the 1850s, Milly (Jane Powell), a pretty young cook, marries Adam (Howard Keel), a grizzled woodsman, after a brief courtship. When the two return to Adam's farm, Milly is shocked to meet his six ill-mannered brothers, all of whom live in his cabin. She promptly begins teaching the brothers proper behavior, and most importantly, how to court a woman. But after the brothers kidnap six local girls during a town barn-raising, a group of indignant villagers tries to track them down.

When advertising executive Jim Blandings (Cary Grant) discovers his wife's (Myrna Loy) plan to redecorate their New York apartment, he counters with a proposal that they move to Connecticut. She agrees, and the two are soon conned into buying a house that turns out to be a complete nightmare. Construction and repair bills accumulate quickly, and Jim worries that their future hangs in the balance unless he can come up with a catchy new jingle that will sell ham.

Anthropology professor George Challenger (Claude Rains), explorer Lord John Roxton (Michael Rennie) and an assorted team of thrill seekers and experts trek through a Venezuelan rainforest that they suspect may be home to living prehistoric creatures. Before long Challenger, Lord John and company discover a valley filled with vicious dinosaurs and oversize arachnids - unfortunately, their chopper breaks down, leaving them stranded in one of the deadliest environments on Earth.

An eager scientist tests his new formula for invisibility on an escaped fugitive. When the formula works the criminal runs off to terrorize a family he believes cheated him out of a fortune years earlier.

Gene Wilder takes his most unusual role, a naive 19th-century rabbi sent from his native Poland to the fledgling Jewish community in San Francisco, in this warm-hearted comic adventure. The trusting soul is easy prey for the con men and criminals who prey on the immigrants arriving in the Philadelphia port and the rabbi, beaten but unbowed, continues his trek West solo: broke, underequipped, and hopelessly lost.

George Lucas's fascinating, almost art-house, film just took a quantum leap into the digital future. Never has the world of THX 1138 looked as bright, clear, and antiseptic as it does on this remastered version. It is equally impressive how far Lucas and the camera crew push the widescreen 2.35 aspect ratio, particularly on a film that emphasizes minimalism. For those that fault the film as being "soundless," prepare yourself for a shock.