Dustin Hoffman

Greg Focker (Ben Stiller) has finally begun to earn the respect of his ex-CIA father-in-law, Jack Byrnes (Robert De Niro) but one important test still lies ahead: will Greg prove that he has what it takes to be the family's next "Godfocker" . . . or will the circle of trust be broken for good? Returning co-stars Owen Wilson, Blythe Danner, Teri Polo, Dustin Hoffman, and Barbra Streisand are joined by newcomers Jessica Alba, Laura Dern and Harvey Keitel in this hysterical family affair.

Jon Favreau (writer, director and producer) leads a hilarious all-star cast including Sofía Vergara, Scarlett Johansson, John Leguizamo, Bobby Cannavale, Dustin Hoffman, Oliver Platt, Robert Downey Jr. and young actor Emjay Anthony in this deliciously entertaining comedy about starting from scratch. When gifted chef Carl Casper (Favreau) suddenly quits his demanding job at a trendy LA restaurant, he's on his own to pick up the pieces of his once promising career.

Legendary police detective Dick Tracy is the only man tough enough to take on gangster boss Big Boy Caprice and his band of menacing mobsters. Dedicated to his work but at the same time devoted to his loyal girlfriend, Tess Trueheart, Tracy find himself torn between love and duty. His relentless crusade against crime becomes even more difficult when he gets saddled with an engaging orphan and meets seductive and sultry Breathless Mahoney, a torch singer determined to get the best of Tracy.

Much was written about Will Ferrell's first "dramatic role" as Harold Crick, an IRS auditor who begins hearing a voice narrating his life. But Stranger Than Fiction is hardly a drama. However, what Ferrell does--like Jim Carrey before him in The Truman Show--is handle a toned-down character with genuineness and affection: you believe he is this guy. Crick leads a lonely life filled with numbers and routines.

Andy Garcia stars and makes his directorial debut in a passionate and historical tribute to his native Cuba. Havana in 1958 is a place of pleasure for many, but others are not happy under the rule of dictator Fulgenico Batista. As the revolutionary forces of Fidel Castro and Ernesto "Che" Guevara prepare to move on the city, Fico Fellove (Garcia)-owner of the city's classiest music nightclub, El Tropico-struggles to hold together his family and the love of a woman (In s Sastre).

Meet the Parents found such tremendous success in the chemistry produced by the contrasting personalities of stars Robert De Niro and Ben Stiller that the film's creators went for broke with the same formula again in Meet the Fockers. This time around, Jack and Dina Byrnes (De Niro and Blythe Danner) climb into Jack's new kevlar-lined RV with daughter Pam (Teri Polo), soon-to-be son-in-law Gaylord (Stiller), and Jack's infant grandson from his other daughter for the trip to Florida to meet Gaylord's parents, Bernie and Roz Focker (Dustin Hoffman and Barbra Streisand in a casting coup).

Sweetness that doesn't turn saccharine is hard to find these days; Finding Neverland hits the mark. Much credit is due to the actors: Johnny Depp applies his genius for sly whimsy in his portrayal of playwright J. M. Barrie, who finds inspiration for his greatest creation from four lively boys, the sons of widow Sylvia Llewelyn Davies (Kate Winslet, who miraculously fuses romantic yearning with common sense).

Not only was Barry Levinson's comedy shot in a relatively fast period of 29 days, the satire of politics and show business feels as if it were made yesterday. There's a fresh spin quite evident here, a nervy satire of a presidential crisis and the people who whitewash the facts. The main players are a mysterious Mr. Fix-It (Robert De Niro), veteran Hollywood producer (Dustin Hoffman), and a White House aide (Anne Heche). Can the president's molesting of a young girl be buried in the two weeks before an election? A war in Albania just might do the trick.

One of the touchstone movies of the 1980s, Tootsie stars Dustin Hoffman as an out-of-work actor who disguises himself as a dowdy, middle-aged woman to get a part on a hit soap opera. The scheme works, but while he/she keeps up the charade, Hoffman's character comes to see life through the eyes of the opposite sex. The script by Larry Gelbart (with Murray Schisgal) is a winner, and director Sydney Pollack brings taut proficiency to the comedy and sensitivity to the relationship nuances that emerge from Hoffman's drag act.