Oscar Winner: Best Film Editing

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Oscar Winner

The Bridge On The River Kwai

Director David Lean's masterful 1957 realization of Pierre Boulle's novel remains a benchmark for war films, and a deeply absorbing movie by any standard--like most of Lean's canon, The Bridge on the River Kwai achieves a richness in theme, narrative, and characterization that transcends genre. The story centers on a Japanese prison camp isolated deep in the jungles of Southeast Asia, where the remorseless Colonel Saito (Sessue Hayakawa) has been charged with building a vitally important railway bridge.

Ben-Hur

A coliseum-sized event! A Jewish nobleman is enslaved but survives to triumph over his Roman tormentors in a furious chariot race. Charlton Heston heads the cast of this winner of 11 Academy Awards, seen in a breathtaking new digital transfer in refurbished digital stereo, now at its lowest-ever and making its long-awaited DVD debut!

Apollo 13

It had been less than a year since man first walked on the moon, but as far as the American public was concerned, Apollo 13 was just another "routine" space flight--until these words pierced the immense void of space: "Houston, we have a problem." Ron Howard directs Academy Award-winner Tom Hanks in a riveting suspense-thriller. Stranded 205,000 miles from earth in a crippled spacecraft, astronauts Jim Lovell, Fred Haise and Jack Swigert fight a desperate battle to survive.

Around The World In 80 Days

Around the World in 80 Days on DVD sports an attractive transfer and an inside look at 1950s Hollywood. BBC Radio's Brian Sibley offers a trivia-laden commentary track, while Turner Film Classics host Robert Osborne provides some nice historical perspective in his introductions to most of the extra features. Most interesting is "Around the World with Mike Todd," a 50-minute 1968 documentary about the film's producer, covering his Broadway hits, his films, and his life with Elizabeth Taylor.

The Adventures Of Robin Hood

Dashing Errol Flynn is the definitive Robin Hood in the most gloriously swashbuckling version of the legendary story. Warner Brothers reunited Michael Curtiz, their top-action director, with the winning team of Flynn and Olivia de Havilland (Maid Marian) and perennial villain Basil Rathbone as the aristocratic Sir Guy of Gisbourne, and pulled out all stops for the production. It became their costliest film to date, a grandly handsome, glowing Technicolor adventure set to a stirring, Oscar-winning score by Erich Wolfgang Korngold.

All That Jazz

Choreographer-turned-director Bob Fosse (Cabaret, Lenny) turns the camera on himself in this nervy, sometimes unnerving 1979 feature, a nakedly autobiographical piece that veers from gritty drama to razzle-dazzle musical, allegory to satire. It's an indication of his bravura, and possibly his self-absorption, that Fosse (who also cowrote the script) literally opens alter ego Joe Gideon's heart in a key scene--an unflinching glimpse of cardiac surgery, shot during an actual open-heart procedure.

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