This rousing, explosive 1961 WWII adventure, based on Alistair MacLean's thrilling novel, turns the war thriller into a deadly caper film. Gregory Peck heads a star-studded cast charged with a near impossible mission: destroy a pair of German guns nestled in a protective cave on the strategic Mediterranean island of Navarone, from where they can control a vital sea passage.
Taut and gripping, U-571 follows the exploits of a fictional team of World War II U.S. submariners who undertake a secret mission to capture a German Enigma machine to decode German documents. Writer-director Jonathan Mostow (Breakdown) tells an intense, economical tale, reminiscent of the best classic war films, while infusing it with modern sentiments. Spring 1942: A crew of young submarine sailors are on a much-needed 48-hour liberty when they're suddenly called together and engaged in an expedition.
This is the restored, 209-minute director's cut of Wolfgang Petersen's harrowing and claustrophobic U-boat thriller, which was theatrically re-released in 1997. Originally made as a six-hour miniseries, this version devotes more time to getting to know the crew before they and their stoic captain (J¸rgen Prochnow) get aboard their U-boat and find themselves stranded at the bottom of the sea. Das Boot puts you inside that submerged vessel and explores the physical and emotional tensions of the situation with a vivid, terrifying realism that few movies can match.
San Francisco has been the setting of a lot of exciting movie car chases over the years, but this 1968 police thriller is still the one to beat when it comes to high-octane action on the steep hills of the city by the Bay. The outstanding car chase earned an Oscar for best editing, but the rest of the movie is pretty good, too. Bullitt is a perfect star vehicle for cool guy Steve McQueen, who stars as a tenacious detective (is there any other kind?) determined to track down the killers of the star witness in an important trial.
David Lean focused all his talent as an epic-maker on Boris Pasternak's sweeping novel about a doctor-poet in revolutionary Russia. The results may sometimes veer toward soap opera, especially with the screen frequently filled with adoring close-ups of Omar Sharif and Julie Christie, but Lean's gift for cramming the screen with spectacle is not to be denied. The streets of Moscow, the snowy steppes of Russia, the house in the country taken over by ice; these are re-created with Lean's unerring sense of grandness.
Martin Scorsese's brutal black-and-white biography of self-destructive boxer Jake LaMotta was chosen as the best film of the 1980s in a major critics' poll at the end of the decade, and it's a knockout piece of filmmaking. Robert De Niro plays LaMotta (famously putting on 50 pounds for the later scenes), a man tormented by demons he doesn't understand and prone to uncontrollably violent temper tantrums and fits of irrational jealousy. He marries a striking young blond (Cathy Moriarty), his sexual ideal, and then terrorizes her with never-ending accusations of infidelity.
A box-office hit when released in 1994, it's the kind of lusty, character-based epic that Hollywood should attempt more often. It's also an unabashedly flattering star vehicle for Brad Pitt as Tristan--the rebellious middle son of a fiercely independent Montana rancher and military veteran (Anthony Hopkins)--who is routinely at odds with his more responsible older brother, Alfred (Aidan Quinn), and younger brother, Samuel (Henry Thomas).
In the hands of maverick director Ken Russell, Altered States became a full-on sensory assault, using symbolic imagery and mind- blowing special effects to depict one man's physical and hallucinatory journey through the entire history of human evolution. It's a brazenly silly film redeemed by its intellectual ambition--a dazzling extravaganza that's in love with science and scientists, and eagerly willing to dive off the precipice of rationality to explore uncharted regions of mind, body, and spirit.
Larry McMurtry's novel becomes a winning film as directed by James L. Brooks (As Good As It Gets), with Shirley MacLaine and Debra Winger playing a combative mother and daughter who see each other through various ups and downs in love and loss, and most especially through a terminal illness endured by Winger's character. Jack Nicholson deservedly won an Oscar for his supporting role as a free-spirited astronaut who backs away from a romance with MacLaine and then returns in the clutch.
Director Lawrence Kasdan (The Big Chill) clearly set out to make an old-fashioned Western, but he couldn't help bringing a hip, self-conscious attitude to the proceedings. Silverado thus finds its own funky tone--sometimes rousing, sometimes winking. Four cowpokes converge on a little Western burg called Silverado; they're played by Kevin Kline (a distinctly modern kind of Western hero), Scott Glenn, Danny Glover, and the rowdy young Kevin Costner.
