Italian star and filmmaker Massimo Troisi was dying of heart failure even before this film, his dream project, began production, and he prevailed upon British director Michael Radford (White Mischief) to see him and the film through to the end. (The 40-year-old Troisi, a beloved comic actor in Italy, died the day production wrapped.) Based on true events, Troisi plays a shy postman who strikes up an unlikely friendship with exiled Chilean poet Pablo Neruda (Philippe Noiret).
Martin Scorsese's brutal black-and-white biography of self-destructive boxer Jake LaMotta was chosen as the best film of the 1980s in a major critics' poll at the end of the decade, and it's a knockout piece of filmmaking. Robert De Niro plays LaMotta (famously putting on 50 pounds for the later scenes), a man tormented by demons he doesn't understand and prone to uncontrollably violent temper tantrums and fits of irrational jealousy. He marries a striking young blond (Cathy Moriarty), his sexual ideal, and then terrorizes her with never-ending accusations of infidelity.
Italy's rubber-faced funnyman Roberto Benigni accomplishes the impossible in his World War II comedy Life Is Beautiful: he shapes a simultaneously hilarious and haunting comedy out of the tragedy of the Holocaust. An international sensation and the most successful foreign language film in U.S. history, the picture also earned director-cowriter-star Benigni Oscars for Best Foreign Language Film and Best Actor.
Jamie Foxx's uncannily accurate performance isn't the only good thing about Ray. Riding high on a wave of Oscar buzz, Foxx proved himself worthy of all the hype by portraying blind R&B legend Ray Charles in a warts-and-all performance that Charles approved shortly before his death in June 2004.
Steven Spielberg, proving he's one of the few modern filmmakers who has the visual fluency to be capable of making a great silent film, took a melodramatic, D.W. Griffith-inspired approach to filming Alice Walker's novel. His tactics made the film controversial, but also a popular hit.
Nominated for 6 Academy Awards, director Mike Nichols' witty, romantic look at life in the corporate jungle stars Melanie Griffith as Tess McGill, an ambitious secretary with a unique approach for climbing the ladder to success. When her classy, but villainess boss (Sigourney Weaver) steals her business idea, she seizes an opportunity to steal it back by pretending she has her boss's job, taking over her office, her apartment, even her wardrobe.
When it was released during Hollywood's golden year of 1939, The Wizard of Oz didn't start out as the perennial classic it has since become. The film did respectable business, but it wasn't until its debut on television that this family favorite saw its popularity soar. And while Oz's TV broadcasts are now controlled by media mogul Ted Turner (who owns the rights), the advent of home video has made this lively musical a mainstay in the staple diet of great American films.
When a young Amish woman and her son are caught up in the murder of an undercover narcotics agent, their savior proves to be the worldly and cynical Philadelphia detective John Book. Harrison Ford is sensational as Book, the cop who runs head-on into the non-violent world of a Pennsylvania Amish community. The end result is an action-packed struggle of life and death, interwoven with a sensitive undercurrent of caring and forbidden love.
For sheer pageantry and spectacle, few motion pictures can claim to equal the splendor of Cecil B. DeMille's 1956 remake of his epic "The Ten Commandments." Filmed in Egypt and the Sinai with one of the biggest sets ever constructed for a motion picture, this version tells the story of the life of Moses, (Heston) once favored in the Pharaoh's household, who turned his back on a privileged life to lead his people to freedom. With a rare on-screen introduction by Cecil B. DeMille himself.
One of the touchstone movies of the 1980s, Tootsie stars Dustin Hoffman as an out-of-work actor who disguises himself as a dowdy, middle-aged woman to get a part on a hit soap opera. The scheme works, but while he/she keeps up the charade, Hoffman's character comes to see life through the eyes of the opposite sex. The script by Larry Gelbart (with Murray Schisgal) is a winner, and director Sydney Pollack brings taut proficiency to the comedy and sensitivity to the relationship nuances that emerge from Hoffman's drag act.
