Oscar Nominee: Best Film Editing

For sheer pageantry and spectacle, few motion pictures can claim to equal the splendor of Cecil B. DeMille's 1956 remake of his epic "The Ten Commandments." Filmed in Egypt and the Sinai with one of the biggest sets ever constructed for a motion picture, this version tells the story of the life of Moses, (Heston) once favored in the Pharaoh's household, who turned his back on a privileged life to lead his people to freedom. With a rare on-screen introduction by Cecil B. DeMille himself.

A hip, heart-pounding combination of action, music, and incredible aerial photography helped make Top Gun the blockbuster hit of 1986. Top Gun takes a look at the danger and excitement that awaits every pilot at the Navy's prestigious fighter weapons school. Tom Cruise is superb as Maverick Mitchell, a daring young fighter who's out to become the best. And Kelly McGillis sizzles as the civilian instructor who teaches Maverick a few things you can't learn in a classroom.

One of the touchstone movies of the 1980s, Tootsie stars Dustin Hoffman as an out-of-work actor who disguises himself as a dowdy, middle-aged woman to get a part on a hit soap opera. The scheme works, but while he/she keeps up the charade, Hoffman's character comes to see life through the eyes of the opposite sex. The script by Larry Gelbart (with Murray Schisgal) is a winner, and director Sydney Pollack brings taut proficiency to the comedy and sensitivity to the relationship nuances that emerge from Hoffman's drag act.

Richard Donner's 1978 epic about the Man of Steel showed how a film about a superhero could be a moving and romantic experience even for people who long ago gave up comic books. Beginning on the icy planet Krypton, the story follows the baby Kal-El, whose rocket ship lands in Smallville, Kansas. He is found there by a childless couple and raised as the shy Clark Kent (the young Kent is played by Jeff East).

Written by Herman Raucher, Summer of '42 is one of the screen's most haunting romances. A nation is caught up in a war that will forever change it. At a New England beach colony, 15-year-old Hermie (Gary Grimes) is caught up in a passion that will forever change him: he's infatuated with 22-year-old Dorothy (Jennifer O'Neill), whose soldier/husband is away at war.

One of the most endearing and intelligent romantic comedies of the '90s, the Oscar-winning Shakespeare in Love is filled with such good will, sunny romance, snappy one-liners, and devilish cleverness that it's absolutely irresistible. With tongue placed firmly in cheek, at its outset the film tracks young Will Shakespeare's overwrought battle with writer's block and the efforts of theater owner Philip Henslowe (Geoffrey Rush, in rare form) to stage Will's latest comedy, Romeo and Ethel, the Pirate's Daughter.

Proving that truth is often greater than fiction, the handsome production of Seabiscuit offers a healthy alternative to Hollywood's staple diet of mayhem.

One of the all-time big box-office hits, Smokey and the Bandit stars Burt Reynolds and Jackie Gleason in an outrageous comedy that boasts full-throttle laughs and high-velocity thrills. Reynolds is the Bandit, a king-of-the-road trucker hero who accepts the ultimate challenge: pick up a truckload of Coors beer in Texarkana--the closest place it can be legally sold--and haul it cross-country to Atlanta in 28 hours. The reward? $80,000! The result? The wildest series of car chases and crashes ever filmed! The reason? A Texas "Smokey," Sheriff Buford T.

The Russians Are Coming, the Russians Are Coming looks overly cute now, but really, it was pretty hip for 1966. The cold war was in full deep-freeze when this well-meaning comedy tried to thaw things out a little: a Soviet submarine beaches on the New England coast, sending the locals into a paranoid frenzy. The chief pleasure of the film is Alan Arkin as the sub captain; this was Arkin's first major film role, and he had already mastered his exasperated, slow-burning frown (to say nothing of mastering his Russian dialogue).

A sadistic crime wave is sweeping across America. In Old Detroit, the situation is so bad a private corporation, Security Concepts, Inc., has assumed control of the police force. The executives at the company think they have the answer - until the enforcement droid they create kills one of their own. Then an ambitious young executive seizes the opportunity. He and his research team create a law enforcement cyborg from the body of a slain officer. They program RoboCop to: 1. Serve the public trust. 2. Uphold the law. 3. Protect the innocent. All goes well at first.