Director William Friedkin was a hot ticket in Hollywood after the success of The French Connection, and he turned heads (in more ways than one) when he decided to make The Exorcist as his follow-up film. Adapted by William Peter Blatty from his controversial bestseller, this shocking 1973 thriller set an intense and often-copied milestone for screen terror with its unflinching depiction of a young girl (Linda Blair) who is possessed by an evil spirit.
Kevin Costner's 1990 epic won a bundle of Oscars for a moving, engrossing story of a white soldier (Costner) who singlehandedly mans a post in the 1870 Dakotas, and becomes a part of the Lakota Sioux community who live nearby. The film may not be a masterpiece, but it is far more than the sum of good intentions. The characters are strong, the development of relationships is both ambitious and careful, the love story between Costner and Mary McDonnell's character is captivating.
Gary Oldman, Winona Ryder and Anthony Hopkins star in director Francis Ford Coppola's visually stunning, passionately seductive version of the Dracula legend. In Bram Stoker's Dracula, Coppola returns to the original source of the Dracula myth, and from that gothic romance, he creates a modern masterpiece. Gary Oldman's metamorphosis as Dracula - who grows from old to young, from man to beast - is nothing short of amazing. Winona Ryder brings equal intensity to the role of a young beauty who becomes the object of Dracula's devastating desire.
California Suite is theistory of five couples who have come to the Beverly Hills Hotel for diverse reasons and who must all confront some rather amusing personal dilemmas. Sidney Cochran (Michael Caine) becomes the victim of wife Diana's (Maggie Smith) outrage when she misses winning an Oscar. (Smith wonia real Oscar for Best Supporting Actress in this role). Marvin Michaels (Walter Matthau) must somehow explain to his wife (Elaine May) how a sexy blonde got in his bed. Wisecracking Hannah Warren (Jane Fonda) is uneasy about her ex-husband's (Alan Alda) new California lifestyle. And Dr.
Arguably the greatest of American films, Orson Welles's 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions, and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mother as a boy and made the ward of a rich industrialist.
Roman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery.
Directed by Sir Richard Attenborough and starring Robert Downey Jr. and an extraordinary cast, Chaplin is a loving, grand-scale portrait of the Little Tramp's amazing life and times. His poverty-stricken childhood in England comes to life, along with his friendships with Mack Sennett (Dan Aykroyd) and Douglas Fairbanks (Kevin Kline), his many wives and scandalous affairs, and his relentless pursuit by J. Edgar Hoover. Chaplin is the larger-than-life story of the actor behind the icon and a stunning depiction of a bygone era when Hollywood was at its most glamorous.
Rick Deckard (Harrison Ford) prowls the steel-and-microchip jungle of 21st-century Los Angeles. He's a Blade Runner stalking genetically made criminal replicants. His assignment: kill them. Their crime: wanting to be human. The story of Blade Runner is familiar to countless fans, but few have seen it like this. Because this is director Ridley Scott's own vision of his sci-fi classic. This new version omits Deckard's voiceover narration, develops in slightly greater detail the romance between Deckard and Rachael (Sean Young) and removes the "uplifting" finale.
Lies and deception - it's all in the family when Robin Williams must convince conservative in-laws Gene Hackman and Dianne Wiest that he's as upstanding and uptight as they are in this raucously funny comedy. Armand (Williams) and Albert (Nathan Lane) have built the perfect life for themselves, tending to their successful and gaudy nightclub on the Miami strip. But their pastel tranquility is suddenly shaken by the arrival of Armand's son... who's getting married to the daughter of ultra-conservative Senator Keeley (Hackman).
It had been less than a year since man first walked on the moon, but as far as the American public was concerned, Apollo 13 was just another "routine" space flight--until these words pierced the immense void of space: "Houston, we have a problem." Ron Howard directs Academy Award-winner Tom Hanks in a riveting suspense-thriller. Stranded 205,000 miles from earth in a crippled spacecraft, astronauts Jim Lovell, Fred Haise and Jack Swigert fight a desperate battle to survive.
