Oscar Nominee: Best Actress In A Supporting Role

By George, they've got it! Newly transferred from elements painstakingly restored in 1994, the film version of Lerner and Loewe's My Fair Lady is lavish, loverly and the acclaimed recipient of eight 1964 Academy Awards®, including Best Picture and Best Director (Cukor). Best Actor Oscar winner Rex Harrison reprises his signature stage role of Henry Higgins, the supremely assured phoneticist who wagers that under his tutelage, Cockney flower girl Eliza Doolittle can pass for a duchess at the Embassy Ball. In one of her best-loved roles, Audrey Hepburn plays Eliza.

uperior acting, writing, and direction are on impressive display in the critically acclaimed Mystic River, Clint Eastwood's 24th directorial outing and one of the finest films of 2003. Sharply adapted by L.A. Confidential Oscar-winner Brian Helgeland from the novel by Dennis Lehane, this chilling mystery revolves around three boyhood friends in working-class Boston--played as adults by Tim Robbins, Sean Penn, and Kevin Bacon--drawn together by a crime from the past and a murder (of the Penn character's 19-year-old daughter) in the present.

Boyhood dreams, a bat made from a tree struck by lightning and most importantly, a never-ending passion for the game. Nothing was going to stop Roy Hobbs from fulfilling his boyhood dream of baseball superstardom. Robert Redford stars in this inspiring fable that begins when 14-year-old Hobbs (Redford) fashions a powerful bat from a fallen oak tree. He soon impresses major league scouts with his ability, fixing his extraordinary talent in the mind of sportswriter Max Mercy (Duvall), who eventually becomes instrumental in Hobbs' career.

You will never find a more chillingly suspenseful, perversely funny, or viciously satirical political thriller than The Manchurian Candidate, based on the novel by Richard Condon (author of Winter Kills). The film, withheld from distribution by star Frank Sinatra for almost a quarter century after President Kennedy's assassination, has lost none of its potency over time. Former infantryman Bennet Marco (Sinatra) is haunted by nightmares about his platoon having been captured and brainwashed in Korea.

One of the world's most acclaimed comedies, M*A*S*H focuses on three Korean War Army surgeons brilliantly brought to life by Donald Sutherland, Tom Skerritt and Elliott Gould. Though highly skilled and deeply dedicated, they adopt a hilarious, lunatic lifestyle as an antidote to the tragedies of their Mobile Army Surgical Hospital, and in the process infuriate Army bureaucrats. Robert Duvall, Gary Burghoff and Sally Kellerman co-star as a sanctimonious Major, an other-worldly Corporal, and a self-righteous yet lusty nurse.

Like Easy Rider, Bonnie and Clyde, The Wild Bunch, and The Graduate, The Last Picture Show is one of the signature films of the "New Hollywood" that emerged in the late 1960s and early '70s. Based on the novel by Larry McMurtry and lovingly directed by Peter Bogdanovich (who cowrote the script with McMurtry), this 1971 drama has been interpreted as an affectionate tribute to classic Hollywood filmmaking and the great directors (such as John Ford) that Bogdanovich so deeply admired.

Few films have defined a generation as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chicness has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs. Robinson.

After her brilliant career in a comedy duo with Mike Nichols, Elaine May made tentative progress as a director, making only four films between 1971 and 1987 (her last being the disastrous but underrated Ishtar). Released in 1972, The Heartbreak Kid (from a screenplay by Neil Simon) is widely considered her best work from behind the camera, and it's still one of the most accomplished--but least recognized--comedies of the 1970s.

David O. Selznick's production of Margaret Mitchell's Pulitzer Prize winner Gone With The Wind is "the pinnacle of Hollywood moviemaking," Leonard Maltin of Entertainment Tonight said. Andiin Maltin's view, "it looks better than it has in years." This sweeping Civil War-era romance won an impressive 10 Academy Awards® (including Best Picture), and its immortal characters Scarlett (Vivien Leigh), Rhett (Clark Gable), Ashley (Leslie Howard), Melanie (Olivia de Havilland), Mammy (Hattie McDaniel) and Prissy (Butterfly McQueen) populate an epic story of enduring appeal across generations.

Gosford Park finds director Robert Altman in sumptuously fine form indeed. From the opening shots, as the camera peers through the trees at an opulent English country estate, Altman exploits the 1930s period setting and whodunit formula of the film expertly.