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A vast improvement over its immediate predecessor, The Karate Kid III, this appealingly understated 1994 drama features a compelling performance by Hilary Swank, who would later win a Best Actress Oscar® for her work in Boys Don't Cry. Swank plays 17-year-old Julie Pierce, the recently orphaned and troubled granddaughter of an old war buddy of Miyagi Yakuga (Noriyuki "Pat" Morita, the lone holdover from the previous Karate Kid films). Harassed at school by adolescent boys under the sway of an evil coach (Michael Ironside), Julie reluctantly finds refuge in the calm teachings of Mr. Miyagi.

There's really been only one rival to James Bond: Derek Flint. That's because of James Coburn's special brand of American cool. He's so cool, in fact, that he doesn't care to save the world. That is, until he's personally threatened. He's a true libertarian, with more gadgets and girls than Bond, but with none of his stress or responsibility. Here he's totally unflappable as he thwarts mad scientists who control the weather--and an island of pleasure drones. Lee J. Cobb costars as Flint's flustered superior, and Edward Mulhare plays a British nemesis with snob appeal.

Trapped in their New York brownstone’s panic room, a hidden chamber built as a sanctuary in the event of break-ins, newly divorced Meg Altman (Jodie Foster) and her daughter Sarah (Kristen Stewart) play a deadly game of cat-and-mouse with three intruders--Burnham (Forest Whitaker), Raoul (Dwight Yoakam) and Junior (Jared Leto) -- during a brutal home invasion. But the room itself is the focal point because what the intruders really want is inside it.

Neal Page is an advertising executive who just wants to fly home to Chicago to spend Thanksgiving with his family. But all Neal Page gets is misery. Misery named Del Griffith - a loud mouthed, but nevertheless lovable, salesman who leads Neal on a cross-country, wild goose chase that keeps Neal from tasting his turkey. Steve Martin (Neal) and John Candy (Del) are absolutely wonderful as two guys with a knack for making the worst of a bad situation. If it's painful, funny, or just plain crazy, it happens to Neal and Del in Plaines, Trains And Automobiles.

Enter the stunning and surreal world of Phantasm - where nothing is as it seems and every move you make could lead to a fate worse than death! Writer/director Don Coscarelli (The Beastmaster) delivers this sci-fi/horror classic that has spawned a cult of fans worldwide and which Newsweek calls "off-the-wall, scary and marvelous." Thirteen-year-old Mike Pearson (Michael Baldwin) had always thought that the Morningside cemetery was a little creepy, but when he witnesses a body being taken away from a grave by an undertaker with superhuman strength, he decides to investigate.

Wall Street titan Steven Taylor seems like a devoted husband. He isn't. Beautiful Emily Bradford Taylor seems like a faithful wife. She isn't. And when Steven hires Emily's lover to kill her, it seems like A Perfect Murder. It isn't. In fact, little is what it seems in this sleek thriller. Michael Douglas, Gwyneth Paltrow and Viggo Mortensen star in A Perfect Murder, inspired by the play Dial M For Murder, filmed by Alfred Hitchcock in 1954. Fans of that classic will be in for a lot of surprises. So will Steven. At each unexpected twist in his "perfect" plot, he improvises brilliantly.

Harrison Ford stars as Jack Ryan in this explosive thriller based on Tom Clancy's international best-seller. His days as an intelligence agent behind him, former CIA analyst Jack Ryan (Ford) has traveled to London to vacation with his wife and daughter. Meeting his family outside of Buckingham Palace, Ryan is caught in the middle of a terrorist attack on Lord Holmes. Ryan helps to thwart Holmes' assailants and becomes a local hero. But Ryan's courageous act marks him as a target in the sights of the terrorist whose brother he killed.

In Pale Rider, Clint Eastwood returned to the saddle after nine years - and Western movies were riding high again. Here the star/director crafted an exciting film in the suspenseful tradition of Shane and High Noon. After corporate mining boss Coy LaHood (Richard Dysart) begins a campaign of terror to drive independent pan miners out of the area, a nameless stranger called Preacher (Eastwood) rides into the underdogs' camp. He becomes their avenger. The tycoon then hires a badge-wearing killer and his duster-shrouded deputies, men loyal to whomever pays the most. LaHood pays gold.

They grew up on the outside of society. They weren't looking for a fight. They were looking to belong. In 1960's Tulsa, teenagers come two ways. If you're a "soc," you've got money, cars, a future. But if you're a "greaser," you're an outsider with only your friends...and a dream that someday you'll finally belong. Francis Coppola's powerful film of S.E. Hinton's classic novel captures how it feels to be caught between childhood's innocence and adulthood's disillusionment. The ensemble is a Who's Who of young talents of the past two decades: Matt Dillon, Tom Cruise, Emilio Estevez, C.

Robert Rodriguez returns with the mythic guitar-singing hero, El Mariachi (Antonio Banderas), in the third installment of the El Mariachi/Desperado trilogy. The saga continues as El Mariachi makes his way across a rugged landscape on the trail of Barrillo (Willem Dafoe), a kingpin who is planning a coup against the president of Mexico. Enlisted by Sands (Johnny Depp), a corrupt CIA agent, El Mariachi demands retribution, and the adventure begins. The character, made famous by Banderas, remains a slinger of guitars and guns, a tragic and bloodied hero, but a survivor forever.