A comic battle of wills and an outrageous test of endurance ensues when this trio is grudgingly assigned to keep vigil -- as unobtrusively as possible -- in a small, upscale resort community. Pretending to be an average American family on vacation, it's an unlikely domestic arrangement at best. But, like a typical family, they're stuck with one another.
Val Kilmer plays suave espionage hero Simon Templar--aka The Saint--and Elisabeth Shue costars in this atmospheric mix of bold adventure and grand romance. An array of sophisticated gadgetry is at Templar's command as he plunges into a cloak-and-dagger netherworld of move and countermove. Cool, too, is Templar's knack for coming up with the right disguise at theiright time. Now you see him. Now you don't... or do you? Each close-call escape is a breathless miracle--and no one knows miracles better than a saint.
A flashy, splashy summer-movie blockbuster that's fun and exciting without being mindless? That's the impossible mission accomplished by director Brian De Palma, star-coproducer Tom Cruise, and the crack team of Mission: Impossible.
They don't really make many romantic comedies like Notting Hill anymore--blissfully romantic, sincerely sweet, and not grounded in any reality whatsoever. Pure fairy tale, and with a huge debt to Roman Holiday, Notting Hill ponders what would happen if a beautiful, world-famous person were to suddenly drop into your life unannounced and promptly fall in love with you. That's the crux of the situation for William Thacker (Hugh Grant), who owns a travel bookshop in London's fashionable Notting Hill district.
As a baby, Ella (Anne Hathaway) receives a visit from Lucinda (Vivica A. Fox), her fairy godmother, and is bestowed with a magical talent that requires her to obey anything that she is told to do. This proves to be more of a curse than a blessing, particularly once her mother dies and she is forced to live with the cruel Dame Olga (Joanna Lumley). Eventually, Ella embarks on a journey to find Lucinda and break the spell, accompanied by the handsome Prince Charmont (Hugh Dancy).
The year is 1878, Lincoln County, John Tunstall, a British ranch owner, hires six rebellious boys as "regulators" to protect his ranch against the ruthless Santa Fe Ring. When Tunstall is killed in an ambush, the Regulators, led by the wild-tempered Billy the Kid (Estevez), declare war on the Ring. As their vendetta turns into a bloody rampage, they are branded outlaws, becoming the objects of the largest manhunt in the western history.
X2 does a fine job of picking up where X-Men left off, giving fans more of what they liked the first time around. Under the serious-minded custody of returning director Bryan Singer, the second film of this Marvel comics franchise ups the ante on Professor Xavier (Patrick Stewart) and the superhero mutants from the first film, pitting them against a mutant-hating scientist (Brian Cox) who's determined to wipe out the mutant race by tricking Xavier into abusing his telepathic powers.
Born into a world filled with prejudice are children who possess extraordinary and dangerous powers - the result of unique genetic mutations. Cyclops unleashes bolts of energy from his eyes. Storm can manipulate the weather at will. Rogue absorbs the life force of anyone she touches. But under the tutelage of Professor Xavier (Patrick Stewart), these and other outcasts learn to harness their powers for the good of mankind.
Welcome to Redemption, your typical old west town. Herod, played by Gene Hackman, is in the villain role, which befits his talents well. Herod is a long time criminal who controls Redemption from the ground up. He's arranged for a "Quick Draw" contest for gunslingers. Ellen, played superbly by the ever beautiful Sharon Stone comes to town with more than just a quick draw competition on her mind. Cort, played by the then burgeoning superstar, Russell Crowe is a former outlaw and friend of Herods, who has found the lord.
The Day After Tomorrow is lots of fun for connoisseurs of epic-scale disaster flicks. After the blockbuster profits of Independence Day and Godzilla, you can't blame director Roland Emmerich for using global warming as a politically correct excuse for destroying most of the northern hemisphere. As tornadoes flatten Los Angeles, a tidal wave engulfs New York City and the entire Northern Hemisphere begins to freeze solid.
