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The Sentinel is a crackling good thriller because everyone involved is working at the top of their game. Pete Garrison (Douglas) is on the presidential protection detail when another agent is murdered. A creepy informer tells Garrison about an elaborate assassination conspiracy that's related and well underway. Garrison also happens to be having an affair with the First Lady (Kim Basinger), the stress of which causes him to flunk a lie detector test when word of the plot to kill the president becomes more than just paranoia.

That TV commercial actress is so seductive she could sell you anything. Sheís only a computer generated illusion. What about the real beauty who was the computer's model? Sorry, you can't meet her: she and others like her have been murdered. Writer/director Michael Crichton (ER, Coma) reaches into his brain-teasing bag of tricks for a mesmerizing thriller full of unfriendly persuasion generated by high-tech trickery. Albert Finney stars as a Beverly Hills plastic surgeon whose supermodel clients start dying mysteriously. Susan Dey plays his latest patient, also now in peril.

As a pleasant dose of holiday cheer, The Holiday is a lovable love story with all the Christmas trimmings. In the capable hands of writer-director Nancy Meyers (making her first romantic comedy since Something's Gotta Give), it all begins when two successful yet unhappy women connect through a home-swapping website, and decide to trade houses for the Christmas holiday in a mutual effort to forget their man troubles.

Tod Browning's last great film is about as respected Parisian banker (Lionel Barrymore), who is framed for robbery and murder and sent to Devil's Island. Years later he escapes in the company of a scientist who has discovered a way to shrink living things to one-sixth their original size. Barrymore finds a new use for the scientist's discovery as a means of revenge on those who had framed him.

First screened in Europe and scheduled for limited release in the U.S., Bandidas can now be viewed by all fans of the visually stunning duo, Penelope Cruz and Salma Hayek. Set in Mexico 1888, Bandidas is a Western spoof about two women, Maria Alvarez (Penelope Cruz) and Sara Sandoval (Salma Hayek), who seek to avenge the tragedies befallen both their fathers under robber baron, Tyler Jackson (Dwight Yoakam). Jackson, employed by the Bank of New York, is sent to Mexico to buy land and open banks to the detriment of local culture.

The otherworldly landscape of Iceland lends an appropriate touch of dark fantasy to this modern retelling of Beowulf, the oldest epic poem in the English language. Gerard Butler (The Phantom of the Opera) brings the right balance of physicality and world-weariness as the Swedish hero Beowulf, who travels to Denmark to fight the monstrous troll Grendel (Icelandic superstar Ignvar Sigurdsson), which has been plaguing the house of King Hrothgar (Stellan SkarsgÂrd, buried under a mound of prosthetic hair).

The fact-based mystery of Hollywoodland takes place in 1959, when the death of Adventures of Superman TV star George Reeves cast a pall over the waning days of golden-age Hollywood. As written by Paul Bernbaum, this intriguing whodunit effectively evokes the tainted atmosphere that surrounded Reeves' death (officially ruled a suicide but never conclusively solved), and speculates on circumstances to suggest that Reeves may have been murdered.

There's no mistaking the 1968 mood of Play Dirty: this cynical war movie could only have been made during the disillusioned Vietnam era, despite its WWII subject. Michael Caine plays a British captain in North Africa, tapped to lead a suicidal mission across the desert to destroy a German fuel depot. He's got a scurvy band of mercenaries to help him (this was a year after The Dirty Dozen, so keep that in mind), although most of the time they seem indifferent to both the job and Caine's survival.

One Hour Photo may be more civilized than Taxi Driver, but it's just as effectively creepy. Like Martin Scorsese's classic, this riveting character study is so compassionately detailed that we sympathize with poor Sy Parrish (Robin Williams) even as he grows increasingly unhinged. Sy is a meticulously dedicated one-hour-photo technician, but the pictures he processes--particularly those belonging to the successful, seemingly happy family of Nina and Will Yorkin (Connie Nielsen, Michael Vartan)--turn into the unhealthiest kind of obsession.

Denzel Washington and the director Carl Franklin, who worked together on the sultry "Devil in a Blue Dress," team up again in a thriller about a Florida police chief who must solve a double homicide that he's been unjustly accused of committing. It's a standard crime movie that rises above its conventional twists and turns thanks to the taut, intelligent direction of Franklin and the strong performances by supporting players (Eva Mendes and Nora Dunn, among others) who would all be at home in an Elmore Leonard novel.