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A powerful story of life on the border between the United States and Mexico, Bordertown is based on the hundreds of women working in American-owned factories who have been brutally raped and murdered in Juarez, a city gripped by fear. The attacks have been covered up by the local authorities, and still continue today. When editor of the Chicago Sentinel George Morgan (Sheen) sends ambitious reporter, Lauren Adrian (Lopez), to Juarez, Mexico to investigate the murders, what she finds is the story of a lifetime.

Swiping its title from the inscription on the Statue of Liberty ("I lift my lamp beside the golden door!"), Emanuele Crialese's third film manages to be epic and quirky at the same time. In most coming-to-America stories set during the turn-of-the century, a prologue establishes the central character's birthplace. Then, he boards a ship. In the next scene, he disembarks on American soil. The rest of the movie concerns his (or her) efforts to adjust to a new culture. Crialese (Respiro) ditches that last part altogether.

A romantic comedy that begins with a discussion about sex education and ends with a bit of an unexpected twist, Definitely, Maybe focuses on an engaging father and his 10-year-old daughter. She is curious about the women her dad loved prior to marrying (and separating from) her mother. Instead of telling her, "None of your business," he decides to tell her about them... Sort of. Will is played by Ryan Reynolds and his precocious daughter Maya is adroitly portrayed by Abigail Breslin (Little Miss Sunshine).

Like Moliere, which was released in theaters around the same time, Becoming Jane isn't a conventional biopic. Instead, Julian Jarrold (White Teeth) expands on events from Jane Austen's life that may have shaped her fiction. To his credit, he doesn't stray too far from the facts. In 1795, 20-year-old Jane (Anne Hathaway with believable British accent) is an aspiring author. Her parents (Julie Walters and James Cromwell) married for love, and money is tight. They hope to see their youngest daughter make a more lucrative match, and there's a besotted local, Mr.

When a famous person, like the nation's first openly gay male city supervisor, inspires an acclaimed book (The Mayor of Castro Street) and Oscar-winning documentary (The Times of Harvey Milk), a biopic can seem superfluous at best. Taking over from Oliver Stone and Bryan Singer, Gus Van Sant, whose previous picture was the more experimental Paranoid Park, directs with such grace, he renders the concern moot.

Leatherheads is a sort of two-fisted homage, simultaneously celebrating the early, unstructured days of professional football and the screwball comedies of the 1930s and 40s. George Clooney stars as "Dodge" Connelly of the Duluth Bulldogs, a wily (if a bit long in the tooth) player whose team goes bankrupt. His solution is to lure a war hero and star of the college-football circuit, Carter "The Bullet" Rutherford (John Krasinski from the American version of The Office) to join the team and, through the sheer force of his celebrity, legitimize professional football.

Next door neighbors John Gustafson and Max Goldman are Grumpy Old Men. And since they're played by Jack Lemmon and Walter Matthau, they're also Funny Old Men. Pairing up again in this hilarious and heartwarming story of neighborhood curmudgeons whose long-running feud becomes an all-out rivalry when an attractive widow (Ann-Margret) moves into the house across the street. Snowy Minnesota provides the setting as Max and John unleash an uproarious blizzard of practical jokes and zingers.

Woody Allen's cynical sensibility so superbly dovetails with Larry David's acerbic misanthropy, it's a wonder they haven't worked together before. But no matter: fans of Allen, David, and especially David's Curb Your Enthusiasm will delight in the ability of Whatever Works to find humor in the darkest and most abrasive of life's corners.

Screen legend Tony Curtis leads an all-star international cast in this hilarious, romantic and action-packed romp! Set in glorious Monte Carlo, this hugely entertaining follow-up to Those Magnificent Men in Their Flying Machines follows the dashing Schofield (Curtis) as he teams up with the scheming Sir Cuthbert Ware-Armitage (Terry-Thomas) in a zany, winner-take-all car rally beset with scheming competitors, treacherous cliffs - and a very beguiling blonde (Susan Hampshire.)

For too long, Carrie Bradshaw (Sara Jessica Parker) had been looking for love in all the wrong places...but in all the right shoes. In this much anticipated movie event, Carrie, Samantha (Kim Cattrall), Charlotte (Kristin Davis) and Miranda (Cynthia Nixon) are back, four years after the hit TV series ended. As they continue to juggle career, relationships, motherhood and life in Manhattan, the girls realize that more than ever, true friendship never goes out of style.