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Bruce Lee kicked around Hollywood for years looking in vain for an American break when Hong Kong came calling. As Kato in the TV series The Green Hornet he had become an Asian star (the series was renamed for his character when it crossed the Pacific) and ripe for his own vehicle. This raw, low-budget effort, called The Big Boss in its native Hong Kong and Fists Of Fury in the United States, is a generic revenge drama enlivened by Lee's intense screen presence and martial arts prowess.

The time is now. The place is aboard the U.S.S. Nimitz, America's mightiest nuclear-powered aircraft carrier on maneuvers in theiPacific Ocean. Suddenly, a freak electrical storm engulfs theiship and triggers the impossible: The Nimitz is hurtled back in time to December 6, 1941, mere hours before the Japanese attack on Pearl Harbor.

John Boorman's 1985 South American epic never quite gets all of its gears working simultaneously, but it remains an often startling work with an extraordinary performance by the director's own son, Charley Boorman. Powers Boothe plays an American engineer working on a dam project in Brazil. When his young son is seemingly absorbed one day into the dense perils and beauty of the Amazon rain forest, Boothe's character goes on a protracted, 10-year search for him.

Michael Keaton heads an all-star cast in this wild and crazy comedy about four mental patients who get separated from their therapist on the way to a baseball game. Billy (Keaton), a pathological liar with a violent streak, finds himself on loose in New York City with his fellow group therapy patients: Henry (Christopher Lloyd), a neat freak; Jack (Peter Boyle), a former advertising executive who thinks he's Christ; and Albert (Stephen Furst), a near catatonic couch potato.

Whether or not you can sympathize with its fascistic/vigilante approach to law enforcement, Dirty Harry (directed by star Clint Eastwood's longtime friend and directorial mentor, Don Siegel) is one hell of a cop thriller. The movie makes evocative use of its San Francisco locations as cop Harry Callahan (Eastwood) tracks the elusive "Scorpio killer" who has been terrorizing the city by the Bay.

The bright, glossy world of Doris Day and Rock Hudson sex comedies gets a self-aware brush-up in Down with Love. Pillow-lipped Rene Zellweger (Chicago) plays Barbara Novak, the author of a bestselling book called Down with Love that advises women to focus on their careers and have sex a la carte--just like a man would. Determined to prove that Novak is just as vulnerable to love as any woman, dashingly chauvinist magazine writer Catcher Block (ever-charming Ewan McGregor, Moulin Rouge) pretends to be a courtly astronaut who wouldn't dream of putting his hand on a woman's knee.

Too old for Hamlet and too young for Lear--what's an ambitious actor to do? Play the Devil, of course. Jack Nicholson did it in The Witches of Eastwick; Robert De Niro did it in Angel Heart (as Louis Cyphre--get it?). In The Devil's Advocate Al Pacino takes his turn as the great Satan, and clearly relishes his chance to raise hell. He's a New York lawyer, of course, by the name of John Milton, who recruits a hotshot young Florida attorney (Keanu Reeves) to his firm and seduces him with tempting offers of power, sex, and money.

David Spade embodies Dickie Roberts: Former Child Star with the snide, glib, and bored attitude for which he is loved by his fans. Dickie, whose mother abandoned him in his youth when his TV show was canceled, yearns to regain the spotlight. But he can't get a promising role because the director believes that Dickie isn't a real person; so, to find his real self, Dickie hires a family to give him the childhood he never had.

Suffering from a bad case of writer's block, author Jack Manfred (Clive Owen) sits in his London flat, staring at an empty computer screen and trying to find the words to narrate his meandering life. Reluctantly Jack accepts a job from his absentee father (Nicholas Ball) at a second-rate casino as a dealer, or croupier, a job he once held in South Africa. His immersion back into this world is intoxicating, thanks primarily to the power he holds over his nightly clientele.

A village trembles in fear. A priest forsakes his vows in the service of evil. Young beauties fall victim to a mysterious seducer. And each night brings the threat of death. Because Dracula Has Risen from the Grave. In his third incarnation as Bram Stoker's infamous vampire, horror great and 55-year movie veteran Christopher Lee goes fang to cross with the forces of good in this atmospheric Hammer Studios film directed with stylish menace by two-time Academy Award-winning cinematographer Freddie Francis.