Gene Wilder takes his most unusual role, a naive 19th-century rabbi sent from his native Poland to the fledgling Jewish community in San Francisco, in this warm-hearted comic adventure. The trusting soul is easy prey for the con men and criminals who prey on the immigrants arriving in the Philadelphia port and the rabbi, beaten but unbowed, continues his trek West solo: broke, underequipped, and hopelessly lost.
If you're going to submit yourself to a dazzling example of mainstream action, this thriller is as good a choice as any. Eraser is a live-action cartoon, the kind of movie in which Arnold Schwarzenegger can survive nail bombs, hails of bullets, an attack by voracious alligators ("You're luggage," he says, after killing one of the beasts), and still emerge from the mayhem relatively intact. Arnold plays an "eraser" from the Federal Witness Protection Program, so named because he can virtually erase the existence of anyone he's been assigned to protect.
The subject of Ron Shelton's brilliant new movie is Ty Cobb (played by Tommy Lee Jones), who was, by consensus, not only the greatest all-around baseball player who ever lived, but also the meanest, the dirtiest, the most arrogant, and the most unscrupulous. Shelton's screenplay focusses on Cobb in 1960 and 1961-seventy-three years old, dying of cancer, and writing his memoirs. There isn't a trace of sentimentality in the picture. Cobb never goes soft on us, even as he nears death; he's a monster of mythic proportions, bellowing and thrashing and belching fire right to the end.
Academy Award winner Jodie Foster and international action star Chow Yun-Fat bring to life the epic true story of a woman who challenged the heart of a king and inspired the destiny of a nation. English school teacher Anna Leonowens has traveled to Siam to educate the fifty-eight children of King Mongkut. If she has preconceived notions about the East, the King has similar notions about the West. But amid the danger of growing political unrest, their respect for each other slowly turns into something more.
Based on a novel by James Michener, Sayonara earned a fistful of OscarÆ nominations (including Best Picture, Director, and Actor) in 1957 and wound up winning statuettes for supporting actors Red Buttons and Miyoshi Umeki. Marlon Brando plays a Korean War fighter pilot, the son of a general, reassigned to Japan, where fraternization with local women is taboo. After breaking off his engagement to another general's daughter, he finds himself falling for a Japanese entertainer (Miiko Taka), then struggling with his own bias.
The late "Pistol" Pete Maravich made basketball history as the most spectacular college scorer ever, and he's still inspiring kids through this movie based on his first season of high school varsity basketball (which he played when he was in eighth grade). This 90-minute film explores the supportive father-son relationship that pushed him to the heights of achievement and fame (Dad was a former pro and Clemson University coach) and includes a story line on the stirrings of the quest for racial equality in the late 1950s.
Their licenses suspended, their vehicles impounded, a hapless band of misfits, malcontents and dreamers meet in traffic school. As it turns out, this isn't your ordinary run of the mill traffic school. The crew find themselves in the clutches of two over zealous police officers lead by the Judge to running the school so that the students are forever without licenses and cars. What ensues is a side splitting, tire screeching battle of wits. Who will be king of the road?
This dramatization of the tangled history of Apple Computer and Microsoft, based on a book by Paul Freiberger and Michael Swaine, hits enough of the right notes to make its failures all the more frustrating. The script follows the entwined paths of Apple's Steve Jobs and Microsoft's Bill Gates with a pointed sense of the cultural divide between the hip, self-absorbed Apple cofounder and the brilliant alpha geek behind Microsoft's eventual software empire, contrasting the Mac's countercultural underpinnings with the PC's more strait-laced origins.
Akira Kurosawa's brilliantly conceived retelling of King Lear combines Japanese history and Shakespeare's plot with the director's own feelings about loyalty and betrayal. In 16th century Japan, the aging Lord Hidetora (Tatsuya Nakadai) passes the decree that his land be divided among his three children. Blinded by the false flattery of his two older songs, he banishes his younger son for speaking the truth. The remaining heirs, driven by power and greed, wage war upon each other.
Vampire hunter Van Helsing (Peter Cushing) returns to Transylvania to destroy handsome bloodsucker Baron Meinster, who has designs on beautiful young schoolteacher Marianne. One of the last Hammer films shot by the marvelous Jack Asher.
