A different sort of Sergio Leone Western, this one takes place during the Mexican Revolution, with more politics than usual. But there's still plenty of action, with Rod Steiger as a cigar-chomping peasant who robs banks to liberate political prisoners, and James Coburn as an Irish terrorist trying to flee from his bitter past. They team up to thwart a sadistic officer and help the cause; redemption for the more subdued Coburn provides added depth.
Kenneth Branagh's 1993 production of Shakespeare's Much Ado About Nothing is a vigorous and imaginative work, cheerful and accessible for everyone. Largely the story of Benedick (Branagh) and Beatrice (Emma Thompson)--adversaries who come to believe each is trying to woo the other--the film veers from arched wit to ironic romps, and the two leads don't mind looking a little silly at times. But the plot is also layered with darker matters that concern the ease with which men and women fall into mutual distrust.
Hailed as "one of the year's most intriguing dramas" (Claudia Puig, USA Today), The Visitor stars Richard Jenkins (Six Feet Under) in a "perfect performance" (Lisa Schwarzbaum, Entertainment Weekly) as Walter, a disaffected college professor who has been drifting aimlessly through his life. When, in a chance encounter on a trip into New York, Walter discovers a couple has taken up residence in his apartment in the city, he develops an unexpected and profound connection to them that will change his life forever.
James Stewart and June Allyson enjoyed one of their gee-whiz pairings in The Stratton Story, a baseball biopic with an easy swing. Stewart plays Monty Stratton, who, according to the film, is a country boy plowing the back forty when a transient scout (Frank Morgan) discovers him and hooks him up with the Chicago White Sox. Stratton has a couple of great years, only to be accidentally shot in a hunting accident, which results in his leg being amputated.
The idea of pairing two of the hottest contemporary actresses with a Golden Age Hollywood director--in a remake of an old Bette Davis vehicle, no less--makes Rich and Famous a curiosity straddling two ages. Jacqueline Bisset, then at the height of her sex-symbol status, stars with Candice Bergen, who was morphing from glamourpuss to comedienne in the wake of her hilarious Starting Over turn. They play the roles first essayed by Bette Davis and Miriam Hopkins in the 1943 Old Acquaintance: Bisset is the serious writer, Bergen the flighty married pal whose trashy novels become bestsellers.
The low-key, charming Outsourced is a thoughtful satire about the human side of contemporary frustrations associated with the global economy. Josh Hamilton (The House of Yes) stars as Todd Anderson, vice president of customer relations for a Seattle company that sells phone-order, patriotic kitsch. Part of Todd's job is keeping his operators' order-taking time down to a few minutes. He's good at what he does, but that doesn't stop the company from outsourcing Todd's entire department to somewhere in India, where local workers can field customer calls more cheaply.
Promote someone else to the rank of lieutenant? Over lago's dead body! And more pointedly, over the dead bodies of nearly everyone ensnared in lago's plot of revenge. Jealousy, passion, misplaced trust: the themes of Shakespeare's towering tragedy permeate this fresh Othello from writer/director Oliver Parker (An Ideal Husband), Kenneth Branagh (Lago), Irene Jacob (Desdemona) and Lawrence Fishburne as the title-role warrior who ruled armies but not his own heart play the principals in this tale set in Renaissance Venice - yet belonging to the ages.
British thespian and sophomore director Kenneth Branagh follows up his adaptation of Shakespeare's Henry V with this abrupt change of pace, a slick, stylish thriller evocative of Hitchcock, classic film noir, and gothic shockers. Sporting an exaggerated American accent, Branagh stars as L.A. private eye Mike Church, a hard-boiled but softhearted detective who takes on the case of a mysterious amnesiac (Branagh's then-real-life wife, Emma Thompson).
Scottish Ewan McGregor and Irish Colin Farrell play two Cockney brothers who get in over their heads when a wealthy relative asks for a favor. Woody Allen's sleek thriller Cassandra's Dream begins in innocent times: Ian (McGregor) and Terry (Farrell) buy a sailboat and name it Cassandra's Dream. But soon Terry falls afoul of gambling debts and Ian falls head over heels for a sultry actress who doesn't take him seriously, leading them to ask their uncle Howard (Tom Wilkinson) for money, which he's happy to give them--if they'll get rid of a man who's going to testify against him.
One of Woody Allen's best films of the '90s, Bullets over Broadway stars John Cusack as a virtual Woody surrogate, a neurotic, Jazz Age writer whose new play sounds wooden and unrealistic to a low-level mobster (Chazz Palminteri) assigned to watch over his boss's actress-girlfriend (Jennifer Tilly). When the hood starts contributing better story ideas and dialogue than what the official playwright can conjure, questions (not unlike those of Amadeus) about the price we pay to make art at the expense of other responsibilities are intriguingly raised.
