When Havana was released in 1990, a lot of reviewers unfavorably compared it to Casablanca, and those comparisons (in addition to audience indifference) turned the film into a box-office disaster. It deserved a better fate, because, while this is certainly no masterpiece, it's an intelligent and lavishly produced film about a chapter of history--the final days of Cuba under the collapsing Batista regime--that remains largely unfamiliar to the American mainstream.
The heart-stopping story of the first black regiment to fight for the North in the Civil War. Glory stars Matthew Broderick, Denzel Washington, Cary Elwes and Morgan Freeman. Broderick and Elwes are the idealistic young Bostonians who lead the regiment; Freeman is the inspirational sergeant who unites the troops; and Denzel Washington, in an Oscar-winning performance (1989, Supporting Actor), is the runaway slave who embodies the indomitable spirit of the 54th Regiment of Massachusetts.
After the box-office failure of his first dramatic film, A Woman of Paris, Charlie Chaplin brooded over his ensuing comedy. "The next film must be an epic!" he recalled in his autobiography. "The greatest!" He found inspiration, paradoxically, in stories of the backbreaking Alaskan gold rush and the cannibalistic Donner Party. These tales of tragedy and endurance provided Chaplin with a rich vein of comic possibilities.
Chevy Chase is at his hilarious best in this suspense-packed comedy thriller based on Gregory McDonald's best-seller. Irwin Fletch, a.k.a. Fletch (Chase), is an investigative reporter who's constantly changing his identity. While working on a drug expose, Fletch attracts the attention of a strange businessman (Tim Matheson) who wants to be killed so his wife will inherit more insurance. The wily Fletch senses a scam, and soon he's up to his byline in frame-ups, murder, police corruption and forbidden romance. It'll be the story of the year, if he can stay alive to meet his deadlines!
By far the most ambitious, unflinchingly graphic and stylistically influential western ever mounted, The Good, The Bad And The Ugly is an engrossing actioner shot through with a volatile mix of myth and realism. Clint Eastwood returns as the "Man With No Name," this time teaming with two gunslingers (Eli Wallach and Lee Van Cleef) to pursue a cache of $200,000, and letting no one, not even warring factions in a civil war, stand in their way.
Like moths to a flame, great actors gravitate to the singular genius of playwright-screenwriter David Mamet, who updated his Pulitzer Prize-winning play for this all-star screen adaptation. The material is not inherently cinematic, so the movie's greatest asset is Mamet's peerless dialogue and the assembly of a once-in-a-lifetime cast led by Al Pacino, Jack Lemmon, and Alec Baldwin (the last in a role Mamet created especially for the film).
A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe.
Sigourney Weaver more than earned her Oscar nomination for Best Actress in Gorillas in the Mist, dominating every frame of Michael Apted's biopic about primatologist Dian Fossey. Tenderly mothering an orphaned gorilla infant or terrorizing an African poacher with a staged lynching, the statuesque star is never less than fiercely focused, a glamorous warrior for animal rights.
Winner of four Academy Awards®, including Best Visual Effects, Best Sound Effects, Best Music, and Best Sound, E.T. The Extra Terrestial is the heart-warming family classic from director Steven Spielberg. When an alien (E.T.) is inadvertently left behind on Earth, he finds refuge with youngster Elliot (Henry Thomas). As Elliot and E.T. bond as friends, it soon becomes clear that E.T. must find his way home before government officials capture him for study. Together, E.T., Elliot, and Elliot's family and friends help unite E.T. with his spaceship.
It's Awesome! Totally Awesome! Fast times at Ridgemont High, directed by Amy Heckerling (Clueless), is simply a modern cult classic. First-time screenwriter Cameron Crowe (Jerry Maguire), went undercover as a high school student and came back with the straight dope on sex, drugs, and rock 'n' roll, while capturing some of the most memorable screen characters ever.
