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By George, they've got it! Newly transferred from elements painstakingly restored in 1994, the film version of Lerner and Loewe's My Fair Lady is lavish, loverly and the acclaimed recipient of eight 1964 Academy Awards®, including Best Picture and Best Director (Cukor). Best Actor Oscar winner Rex Harrison reprises his signature stage role of Henry Higgins, the supremely assured phoneticist who wagers that under his tutelage, Cockney flower girl Eliza Doolittle can pass for a duchess at the Embassy Ball. In one of her best-loved roles, Audrey Hepburn plays Eliza.

How far would an ordinary father go to spend more time with his children? Daniel Hillard (Robin Williams) is no ordinary father, so when he learns his ex-wife (Sally Field) needs a housekeeper, he applies for the job. With the perfect wig, a little makeup and a dress for all occasions, he becomes Mrs. Doubtfire, a devoted British housekeeper who is hired on the spot. Free to be the “woman” he never knew he could be, the disguised Daniel creates a whole new life with his entire family.

Protecting the earth from the scum of the universe. Working for a highly funded yet unofficial government agency, K (Tommy Lee Jones) and J (Will Smith) are the Men In Black, providers of immigration services and regulators of all things alien on earth. They are our best, last, and only line of defense when close encounters get ugly. They work in secret and they dress in black. They are the best-kept secret in the universe.

Jules Verne's classic adventure is perfectly matched with Ray Harryhausen's timeless movie magic in Mysterious Island. Based on Verne's sequel to 20,000 Leagues Under the Sea, this rousing Civil War-era fantasy begins when a band of Union war prisoners (and one Confederate straggler) escape in a hot-air balloon, which crash-lands on the titular island of mystery.

This was the first James Bond adventure produced after the success of Star Wars, so it jumped on the sci-fi bandwagon by combining the suave appeal of Agent 007 (once again played by Roger Moore) with enough high-tech hardware and special effects to make Luke Skywalker want to join Her Majesty's Secret Service. After the razzle-dazzle of The Spy Who Loved Me, this attempt to latch onto a trend proved to be a case of overkill, even though it brought back the steel-toothed villain Jaws (Richard Kiel) and scored a major hit at the box office.

Despite the inevitable law of diminishing returns, The Matrix Revolutions is quite satisfying as an adrenalized action epic, marking yet another milestone in the exponential evolution of computer-generated special effects. That may not be enough to satisfy hardcore Matrix fans who turned the Wachowski Brothers' hacker mythology into a quasi-religious pop-cultural phenomenon, but there's no denying that the trilogy goes out with a cosmic bang instead of the whimper that many expected.

Could this be the funniest movie ever made? By any rational measure of comedy, this medieval romp from the Monty Python troupe certainly belongs on the short list of candidates. According to Leonard Maltin's Movie & Video Guide, it's "recommended for fans only," but we say hogwash to that--you could be a complete newcomer to the Python phenomenon and still find this send-up of the Arthurian legend to be wet-your-pants hilarious.

You will never find a more chillingly suspenseful, perversely funny, or viciously satirical political thriller than The Manchurian Candidate, based on the novel by Richard Condon (author of Winter Kills). The film, withheld from distribution by star Frank Sinatra for almost a quarter century after President Kennedy's assassination, has lost none of its potency over time. Former infantryman Bennet Marco (Sinatra) is haunted by nightmares about his platoon having been captured and brainwashed in Korea.

Akira Kurosawa's rousing Seven Samurai was a natural for an American remake--after all, the codes and conventions of ancient Japan and the Wild West (at least the mythical movie West) are not so very far apart. Thus The Magnificent Seven effortlessly turns samurai into cowboys (the same trick worked more than once: Kurosawa's Yojimbo became Sergio Leone's A Fistful of Dollars). The beleaguered denizens of a Mexican village, weary of attacks by banditos, hire seven gunslingers to repel the invaders once and for all.

On a remote stretch of deserted highway, a band of violent bikers has taken over, attacking anyone unlucky enough to cross their savage path. Racing up and down the seemingly endless miles of asphalt, the crazed outlaws blaze through small towns, plowing into vehicles and pedestrians alike with reckless abandon. Bringing a sense of law to this lawlessness are the mobile police force, led by Max and Goose, who are as fast and mean as their adversaries and are willing to do whatever it takes to cut the enemy down.