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Eric Roberts, young, charming, and handsome, does a rare comic turn as an American Coca-Cola executive with a honeyed Georgia drawl sent Down Under in this congenial little Australian comedy. As the zealous, unfailingly polite eccentric declares economic war on a veritable back-country feudal lord who runs his own steam-powered soda plant (Bill Kerr), Robertsís enchantingly goofy secretary (Greta Scacchi) plots a campaign of seduction that includes a Santa suit that explodes in an orgiastic blizzard of feathers.

One of the greatest screen biographies ever produced, this monumental film runs nearly three hours, won seven Academy Awards, and gave George C. Scott the greatest role of his career. It was released in 1970 when protest against the Vietnam War still raged at home and abroad, and many critics and moviegoers struggled to reconcile current events with the movie's glorification of Gen. George S. Patton as a crazy-brave genius of World War II. How could a movie so huge in scope and so fascinated by its subject be considered an anti-war film?

When Julie Andrews sang "The hills are alive with the sound of music" from an Austrian mountaintop in 1965, the most beloved movie musical was born. To be sure, the adaptation of Richard Rodgers and Oscar Hammerstein II's Broadway hit has never been as universally acclaimed as, say, Singin' in the Rain. Critics argue that the songs are saccharine (even the songwriters regretted the line "To sing through the night like a lark who is learning to pray") and that the characters and plot lack the complexity that could make them more interesting.

I have a bad feeling about this, says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event... well, ever. He might as well be speaking for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: Sure, this is Star Wars, but is it my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them.

The passion of mad love and the cold calculations of social climbing collide in Woody Allen's Match Point. Former tennis pro Chris Wilton (Jonathan Rhys-Meyers, Velvet Goldmine) stumbles into good fortune when Chloe Hewett (Emily Mortimer, Lovely & Amazing), the daughter of a wealthy businessman, falls in love with him. But when Chris meets Nola Rice (Scarlett Johansson, Lost in Translation), a much deeper passion is stirred--and his desire isn't deterred when he discovers that Nola is already dating Chloe's brother.

The director of Chicago, Rob Marshall, transports us into a mysterious and exotic world that casts a potent spell. A Cinderella story like no other, Memoirs Of A Geisha stars Zhang Ziyi, Ken Watanabe, Michelle Yeoh and Gong Li. "Gorgeously photographed, meticulously directed andihypnotically acted. Memoirs of A Geisha isiluxurious, ethereal andiintoxicating. It will leave you breathless." (Rex Reed, New York Observer)

In The Life Aquatic with Steve Zissou, director Wes Anderson takes his familiar stable of actors on a field trip to a fantasy aquarium, complete with stop-motion, candy-striped crabs and rainbow seahorses. And though Anderson does expand his horizons in terms of retro-special effects and a whimsical use of color, fans will otherwise find themselves in well-charted waters.

The dominant themes of director Sidney Lumet's distinguished career are in full force in this moral melodrama involving a young district attorney (Andy Garcia) who takes on a career-making case only to uncover his father's possible involvement in pervasive police corruption. Balancing personal ethics and political compromise in a high-wire act of power and its abuse, Lumet relies on dialogue and superb performances (including those by Ron Leibman, Richard Dreyfuss, and Lena Olin) to achieve a devastating impact.

Vampire hunter Van Helsing (Peter Cushing) returns to Transylvania to destroy handsome bloodsucker Baron Meinster, who has designs on beautiful young schoolteacher Marianne. One of the last Hammer films shot by the marvelous Jack Asher.

Jackie Brown is the name of a flight attendant who gets caught smuggling her boss' gun money on the airline she works for. Luckily for her, the Fed Ray Nicolet and the LA Cop Mark Dargus decide to team up in order to arrest the arms dealer she works for, whose name they don't even know. Here's when she has to choose one way: tell Nicolet and Dargus about Ordell Robbie (the arms dealer) and get her freedom -except that if Ordell suspects you're talking about him, you're dead- or keep her mouth shut and do some time.