In this surreal comedy, Paul Giamatti plays an actor named...Paul Giamatti. Paul very well might have found the key to happiness for which hes been searching, soul storage. But complications arise when he is the unfortunate victim of "soul trafficking." Balancing a tightrope between deadpan humor and pathos, and reality and fantasy, Cold Souls is a true soul searching comedy.
Scottish Ewan McGregor and Irish Colin Farrell play two Cockney brothers who get in over their heads when a wealthy relative asks for a favor. Woody Allen's sleek thriller Cassandra's Dream begins in innocent times: Ian (McGregor) and Terry (Farrell) buy a sailboat and name it Cassandra's Dream. But soon Terry falls afoul of gambling debts and Ian falls head over heels for a sultry actress who doesn't take him seriously, leading them to ask their uncle Howard (Tom Wilkinson) for money, which he's happy to give them--if they'll get rid of a man who's going to testify against him.
One of Woody Allen's best films of the '90s, Bullets over Broadway stars John Cusack as a virtual Woody surrogate, a neurotic, Jazz Age writer whose new play sounds wooden and unrealistic to a low-level mobster (Chazz Palminteri) assigned to watch over his boss's actress-girlfriend (Jennifer Tilly). When the hood starts contributing better story ideas and dialogue than what the official playwright can conjure, questions (not unlike those of Amadeus) about the price we pay to make art at the expense of other responsibilities are intriguingly raised.
"Bottle shock" describes what can happen to wine as it travels from place to place. Set in 1976, Randall Miller's widescreen docudrama concerns the real-life showdown between California's wineries and their French counterparts. Napa Valley's Jim Barrett (Lost Highway's Bill Pullman) has been plugging away for years with minimal success. A former attorney, Barrett runs Chateau Montelena with his wayward son, Bo (Chris Pine, the Star Trek prequel's Captain Kirk), who would rather do anything than assist his stern father.
This quietly daffy comedy should have been an indie hit, but ended up ignored by audiences. Too bad; it's a wonderfully sustained caper movie about friends whose career choice is all wrong. Low-key Anthony (Luke Wilson) and high-strung Dignan (Owen C. Wilson--the two actors are brothers) are brought into a life of crime by Dignan's ambition to be a small-time thief. After a few amusingly laid-back trial burglaries, they (and a third buddy) find themselves over their heads when they hook up with an experienced crime boss (James Caan).
"Beware, O Beautiful Ones," the title tells us--beware, indeed, because Ranbir Kapoor is already scorching his way to the top in this, his second film, and setting hearts on fire along the way. Kapoor--the grandson of the granddaddy of Indian film, actor Raj Kapoor, and the cousin of actress Kareena Kapoor--has the talent to match his pedigree and it shows even in this predictable, albeit entertaining movie about a commitment-phobe who gets a comeuppance.
A powerful story of life on the border between the United States and Mexico, Bordertown is based on the hundreds of women working in American-owned factories who have been brutally raped and murdered in Juarez, a city gripped by fear. The attacks have been covered up by the local authorities, and still continue today. When editor of the Chicago Sentinel George Morgan (Sheen) sends ambitious reporter, Lauren Adrian (Lopez), to Juarez, Mexico to investigate the murders, what she finds is the story of a lifetime.
Far North is an eerie, somewhat dystopian fantasy starring Michelle Yeoh as Saiva, a determined survivor who has been on the run in a glacier-ridden, polar region of the Earth for years. Constantly staying a step ahead of a mysterious, conquering army ever since they destroyed her family and village, Saiva has raised a child, Anja (Michelle Krusiec), in a constant state of fear. Keeping apart from other human company, Anja, now a young woman, becomes interested in living a fuller life when a stranger, Loki (Sean Bean), turns up.
Swiping its title from the inscription on the Statue of Liberty ("I lift my lamp beside the golden door!"), Emanuele Crialese's third film manages to be epic and quirky at the same time. In most coming-to-America stories set during the turn-of-the century, a prologue establishes the central character's birthplace. Then, he boards a ship. In the next scene, he disembarks on American soil. The rest of the movie concerns his (or her) efforts to adjust to a new culture. Crialese (Respiro) ditches that last part altogether.
This 1993 international hit by Ang Lee is a funny and poignant story of a gay, Taiwanese-American man who goes to some lengths to fool his visiting family that he's actually straight. The results are far more complicated and entertaining than anyone could have guessed. The film seems all the more rich now since Lee has become a major Hollywood director: that same sensitivity and mild bemusement he brought to such stories of manners as Sense and Sensibility and The Ice Storm in recent years are in full bloom in this earlier work.
