Featurettes/Behind-The-Scenes/Documentaries

In the Watergate Building, lights go on and four burglars are caught in the act. That night triggered revelations that drove a U.S. President from office. Washington reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) grabbed the story and stayed with it through doubts, denials, discouragement. All The President's Men is their story. Directed by Alan J. Pakula and based on the Woodward/Bernstein book, the film won four 1976 Academy Awards: Best Supporting Actor/Jason Robards, Adaptation Screenplay, Art Direction and Sound.

200 years after the conclusion of Alien 3, the company is able to resurrect Ripley (Sigourney Weaver) through the process of cloning and the scientists successfully take the Queen Alien out of her. But, Ripley's DNA gets mixed up with the Queen's and she begins to develop certain alien characteristics. The scientists begin breeding the aliens, but they later escape. Soon the Xeno-morphs are running amok on the ship, which is on course to earth. The Queen then gives birth to a deadly new breed of alien, which could spell disaster for the entire human race.

After escaping with Newt and Bishop from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Bishop do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can. When help does arrive, the true intentions of the Company become clear.

Rob Lowe doesn't want to get serious. Demi Moore doesn't want to get used. Together, they're an unforgettable couple in the sexy contemporary comedy, About Last Night... After drinks at a favorite Chicago hang-out, Danny Martin (Lowe) and Debbie Sullivan (Moore) head to Danny's place to indulge in the predictable singles quest - the one-night stand. Their affair is casual, sensual and supposedly over until something surprising happens. They want to see each other again.

Set in New York City in 1961, 61* is a film directed by Billy Crystal for baseball lovers. Zooming in on Yankee players Roger Maris and Mickey Mantle, the film follows these two opposites as they attempt to break Babe Ruth's 1927 home run record. In heated competition, the two players each try to score over 60 home runs and set the new world record. While the fans align themselves with one player to be the winner, the players choose the other, igniting the playing field with tension, excitement, and anticipation.

Michael Radford's adaption of George Orwell's foreboding literary premonition casts John Hurt and Suzanna Hamilton as lovers who must keep their courtship secret. Aside from criminalizing sex and interpersonal relationships, the ruling party in their country Oceania both fabricates reality and reconstructs history for the sake of oppressing the masses. They brainwash their citizens via large, propaganda-spewing TV monitors installed in their living rooms, which also inspect everyone's activities.

One of the best comedies of the 1970s, Blake Edwards's ode to midlife crisis and the hazards of infidelity now plays like a valentine to that self-indulgent decade, and it's still as funny as it ever was. In the signature role of his career (along with "Arthur"), Dudley Moore plays a songwriter with a severe case of marital restlessness, and all it takes is a chance encounter with Bo Derek (in her screen debut) to jump-start his libido.

Groundbreaking on several counts, not the least of which was an innovative use of animation and stereophonic sound, this ambitious Disney feature has lost nothing to time since its release in 1940. Classical music was interpreted by Disney animators, resulting in surreal fantasy and playful escapism. Leopold Stokowski and the Philadelphia Orchestra provided the music for eight segments by the composers Tchaikovsky, Moussorgsky, Stravinsky, Beethoven, Ponchielli, Bach, Dukas, and Schubert.

More ambitious in scope than any of its other animated films (before or to come), Disney's 1940 Fantasia was a dizzying, magical, and highly enjoyable marriage of classical music and animated images. Fantasia 2000 features some breathtaking animation and storytelling, and in a few spots soars to wonderful high points, but it still more often than not has the feel of walking in its predecessor's footsteps as opposed to creating its own path.