Val Waxman (Allen) was big-time movie director in 1970's and 1980's but is washed up now and just gets commercial directing jobs. He gets another chance at a directing a big film but goes temporarily blind from paranoia. Instead of losing the job, Val and his friends try to make the movie without the executives finding out about the blindness.
Halloween is as pure and undiluted as its title. In the small town of Haddonfield, Illinois, a teenage baby sitter tries to survive a Halloween night of relentless terror, during which a knife-wielding maniac goes after the town's hormonally charged youths. Director John Carpenter takes this simple situation and orchestrates a superbly mounted symphony of horrors. It's a movie much scarier for its dark spaces and ominous camera movements than for its explicit bloodletting (which is actually minimal).
Gremlins is a whee of a film (if you don't mind the occasional gross-out) from producer Steven Spielberg, writer Chris Columbus, and director Joe Dante. Zach Galligan is the young man whose inventor father (Hoyt Axton) gives him an odd Christmas present: a tiny, furry creature that comes with a set of rules: don't get him wet, don't feed him after midnight, and keep him away from direct sunlight. But Galligan breaks the first rule and the damp little critter pops out a dozen little offspring.
After the worldwide success of A Hard Day's Night, the Beatles and director Richard Lester reunited for a follow-up film, Eight Arms to Hold You. Well, that wasn't the final title; a pleading Lennon-McCartney tune provided the catchier handle: Help! A loose semispoof of the globe-trotting James Bond pictures, Help! has always been considered a somewhat disorganized comedown from its predecessor; but it presents "the famous Beatles" even more clearly as the English cousins of the Marx Brothers.
When Havana was released in 1990, a lot of reviewers unfavorably compared it to Casablanca, and those comparisons (in addition to audience indifference) turned the film into a box-office disaster. It deserved a better fate, because, while this is certainly no masterpiece, it's an intelligent and lavishly produced film about a chapter of history--the final days of Cuba under the collapsing Batista regime--that remains largely unfamiliar to the American mainstream.
Catch him if you can. The Fugitive is on the run! Harrison Ford and Tommy Lee Jones race through the breathless manhunt movie based on the classic TV series. Ford is prison escapee Dr. Richard Kimble, a Chicago surgeon falsely convicted of killing his wife and determined to prove his innocence by leading his pursuers to the one-armed man who actually committed the crime. Jones (1993 Academy Award and Golden Globe winner as Best Supporting Actor) is Sam Gerard, an unrelenting bloodhound of a U.S. Marshal. They are hunted and hunter.
Chevy Chase is at his hilarious best in this suspense-packed comedy thriller based on Gregory McDonald's best-seller. Irwin Fletch, a.k.a. Fletch (Chase), is an investigative reporter who's constantly changing his identity. While working on a drug expose, Fletch attracts the attention of a strange businessman (Tim Matheson) who wants to be killed so his wife will inherit more insurance. The wily Fletch senses a scam, and soon he's up to his byline in frame-ups, murder, police corruption and forbidden romance. It'll be the story of the year, if he can stay alive to meet his deadlines!
Van Orton is a successful businessman who is always in control. He lives a well-ordered life - until an unexpected birthday gift from his brother destroys it all. The Game does a tremendous job of presenting the story of a rigid control freak trapped in circumstances that are increasingly beyond his control. Michael Douglas plays a rich, divorced, and dreadful investment banker whose 48th birthday reminds him of his father's suicide at the same age.
Phoenix cop Ben Shockley's dream of breaking "the big case" has faded through the years. His assignment to escort from Las Vegas "a nothing witness for a nothing trial" seems like just another meaningless exercise. Until the fireworks start. Clint Eastwood runs The Gauntlet into an explosive movie embodying its title with a vengeance. The witness is a hardened hooker (Locke) whom everyone - including Vegas oddsmakers - wants dead.
Like moths to a flame, great actors gravitate to the singular genius of playwright-screenwriter David Mamet, who updated his Pulitzer Prize-winning play for this all-star screen adaptation. The material is not inherently cinematic, so the movie's greatest asset is Mamet's peerless dialogue and the assembly of a once-in-a-lifetime cast led by Al Pacino, Jack Lemmon, and Alec Baldwin (the last in a role Mamet created especially for the film).
