The thriller that began five million years ago in another world has come to earth! A London subway excavation abruptly halts when construction workers find a cluster of prehistoric skulls and skeletons. Anthropologist Dr. Roney (James Donald), his assistant Barbara Judd (Barbara Shelley), andispace expert Professor Quatermass (Andrew Keir) are driven by curiosity and dig deeper to discover a "strange" missile that is not of this earth.
When Kathy Thorn (Lee Remick) gives birth to a stillborn baby, her husband Robert (Gregory Peck) shields her from the devastating truth and substitutes an orphaned infant for their own - unaware of the child's satanic origins. The horror begins on Damien's fifth birthday when his nanny stages a dramatic suicide. Soon after, a priest who tries to warn Damien's father is killed in a freakish accident. As the death toll mounts, Robert realizes his son is the Antichrist and decides he must kill the boy to prevent him from fulfilling a cataclysmic prophecy.
As The Outlaw Josey Wales, Clint Eastwood is ideal as a wary, fast-drawing loner, akin to the Man With No Name from his European Westerns. But unlike that other mythic outlaw, Josey Wales has a name - and a heart. That heart opens up as the action unfolds. After avenging his family's brutal murder, Wales is pursued by a pack of killers. He prefers to travel alone, but ragtag outcasts (including Sondra Locke and Chief Dan George) are drawn to him - and Wales can't bring himself to leave them unprotected. Time called it one of 1976's best movies.
Imagine being a hunter leading highly trained bloodhounds in pursuit of a killer - and the trail leads directly to you! Starring Academy-Award winners Kevin Costner and Gene Hackman, No Way Out is "a mesmerizing look at Washington power" (The Hollywood Reporter). Capturing a well-deserved four stars from critic Roger Ebert, this "taut and stylish" (Newsweek) thriller is fast-paced and powerful - "a perfect nailbiter" (Variety)! In a fit of rage, Secretary of Defense David Brice (Hackman) murders his mistress.
For Norman and Ethel Thayer, this summer On Golden Pond is filled with conflict and resolution. When their daughter Chelsea (Jane Fonda) arrives, the family is forced to renew the bonds of love and overcome the generational friction that has existed for years. Norman (Henry Fonda) must find his way through his anger and fear of growing old, while Chelsea struggles to rebuild their relationship. Ethel's (Katharine Hepburn) consistent support of her "knight in shining armor" is inspirational in its simplicity. This is a movie to ponder and always keep in your heart.
Neil Simon has a special genius for finding the great hilarity in ordinary people doing everyday things. Like two divorced men who decide to share a New York apartment. That's the premise of The Odd Couple, though there's nothing odd in the casting of two Oscar-winning talents like Jack Lemmon and Walter Matthau. The two veteran funnymen work together with the precision timing of a vaudeville team, but always with bright spontaneity. Lemmon plays fussy Felix, fastidious to a fault. He proves that cleanliness is nest to insanity.
Once in a great while a movie comes along that truly grips and uplifts its audiences. Such a movie is An Officer And A Gentleman, a timeless tale of romance, friendship and growth. Loner Zack Mayo (Rcihard Gere) enters Officer Candidate School to become a Navy Pilot and in thirteen torturous weeks he learns the importance of discipline, love and friendship. Louis Gossett, Jr. won an Academy Award for his brilliant portrayal of the tough drill instructor who teaches Zack that no man can make it alone.
A single phone call can change a man's life... or possibly end it. Colin Farrell delivers a captivating, off-the-hook performance as Stu Shepard, a self-centered New York City publicist who suddenly finds himself on the deadly end of a high-powered rifle scope. Now it's a real-time race against the clock as Stu must outwit a psychotic sniper in a frantic scramble from phone booth to freedom.
Gene Hackman is a career officer assigned a routine mission well beneath him: deliver a prisoner (Tommy Lee Jones) from Europe to the United States. However, the simple assignment becomes a daring cat-and-mouse game played as the last flames of the Cold War are flickering. This is the first of three films that teamed Jones with director Andrew Davis. In 1989 Jones was a wild card: an actor respected but only popping up in grade B fare. After Davis's Under Siege and The Fugitive, Jones was America's favorite gruff character actor, with an Oscar on his mantel.
We can hardly imagine how shocking this film was when it first broke into the film scene in 1968. There's never been anything quite like it again, though there have been numerous pale imitations. Part of the terror lies in the fact that it is shot in such a raw and unadorned fashion that it feels like a home movie, and is all the more authentic because of that. It draws us into its world gradually, content to establish a merely spooky atmosphere before leading us through a horrifically logical progression that we hardly could have anticipated.
