Audio commentary

Battlestar Galactica's Edward James Olmos wasn't kidding when he said "the series is even better than the miniseries." As developed by sci-fi TV veteran Ronald D. Moore, the "reimagined" BG is exactly what it claims to be: a drama for grown-ups in a science-fiction setting. The mature intelligence of the series is its greatest asset, from the tenuous respect between Galactica's militarily principled commander Adama (Olmos) and politically astute President Roslin (Mary McDonnell) to the barely suppressed passion between ace Viper pilot "Apollo" (a.k.a.

The final run of Babylon 5 found Claudia Christian departed and Ivanova replaced by Captain Elizabeth Lochley (Tracy Scoggins), who in a soap-opera twist turned out to be Sheridan's first wife. Sheridan was promoted to President of the Interstellar Alliance and the action moved to a group of telepaths seeking sanctuary from the PSI-Corp on B5. Giving a prominent role to Patricia Tallman's Lyta Alexander, a love story for her was woven with the leader of the telepaths, Byron (Robin Atkin Downs).

Season 4 began on a high point with the Centauri Prime in the grip of the insane Emperor Cartagia (Wortham Krimmer) and a run of six shows leading to the climax of the war against the Shadows in "Into the Fire." If this colossal narrative was resolved a little too easily and the ultimate aim of the Shadows turned out to be a tad disappointing, it still proved to be the most powerful slice of space opera to ever grace the small screen.

"Matters of Honor" launched Babylon 5's third season with the introduction of the White Star, a spacecraft added to enable more of the action to take place away from the station. Also introduced was Marcus Cole (Jason Carter)--in another nod to The Lord of the Rings, a Ranger not so far removed from Tolkien's Strider. In "Voices of Authority" the show finds an epic scale as Ivanova seeks the mysterious "First Ones" for allies against the Shadows, and evidence is discovered pointing to the truth behind President Santiago's assassination.

Delenn's future love interest, Captain John Sheridan (Bruce Boxleitner) arrived on Babylon 5 in the first episode of season 2, "Points of Departure." The show marked the handing over of command of B5 to Sheridan from Commander Jeffery Sinclair, actor Michael O'Hare becoming a victim of studio politicians who wanted a bigger star in the leading role. This excellent installment also revealed more about why the Minbari surrendered to Earth at the Battle of the Line when they were on the verge of victory.

The epic sci-fi series Babylon 5 was a unique experiment in the history of television. It was effectively a novel for television in five seasons, consisting of 110 episodes with a clear beginning, middle, and end. The first season introduces the main characters, headed this year by Commander Jeffery Sinclair (Michael O'Hare) and Security Chief Michael Garibaldi (Jerry Doyle), and familiarizes the audience with the unique environment of a five-mile-long space station in the year 2257.

Jack Bauer is having another one of his "very bad days" in the second season of the groundbreaking real-time thriller 24. Once again the hours are ticking by with more guaranteed cliffhangers than a convention of mountain climbers.

"So," Tony Soprano asks analyst Dr. Melfi in the wake of not-so-dearly-departed Livia's death, "we're probably done here, right?" Sorry, Tone, not by a long shot. Unresolved mother issues are the least of the Family man's troubles in the brutal and controversial third season of The Sopranos. Ranked by TV Guide among the top five greatest series ever, The Sopranos justified its eleven-month hiatus with some of its best, and most hotly debated, episodes that continue the saga of the New Jersey mob boss juggling the pressures of his often intersecting personal and professional lives.

In its second season, The Sopranos sustains the edgy intelligence and unpredictable, genre-warping narrative momentum that made this modern mob saga the most critically acclaimed series of the late 1990s. Creator-producer David Chase repeatedly defies formula to let the narrative turn as a direct consequence of the characters' behavior, letting everyone in this rogue's gallery of Mafiosi, friends, and family evolve and deepen.

The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: Like 1999's other screen touchstone, American Beauty, the HBO series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there's the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.