A single phone call can change a man's life... or possibly end it. Colin Farrell delivers a captivating, off-the-hook performance as Stu Shepard, a self-centered New York City publicist who suddenly finds himself on the deadly end of a high-powered rifle scope. Now it's a real-time race against the clock as Stu must outwit a psychotic sniper in a frantic scramble from phone booth to freedom.
Gene Hackman is a career officer assigned a routine mission well beneath him: deliver a prisoner (Tommy Lee Jones) from Europe to the United States. However, the simple assignment becomes a daring cat-and-mouse game played as the last flames of the Cold War are flickering. This is the first of three films that teamed Jones with director Andrew Davis. In 1989 Jones was a wild card: an actor respected but only popping up in grade B fare. After Davis's Under Siege and The Fugitive, Jones was America's favorite gruff character actor, with an Oscar on his mantel.
Though this film is a relatively minor one in the massive canon of Peter Sellers, it has moments of absolute hilarity. Written and directed by Blake Edwards, one of Sellers's most fertile collaborators, the film stars Sellers as a would-be actor from India (let them try to get away with that today) who is a walking disaster area. After ruining a day's shooting as an extra on a film, he finds himself unintentionally invited to a big Hollywood party. That's pretty much it as far as plot goes, but Edwards and Sellers know how to milk a simple idea for an unending string of slapstick gags.
Ten years in planning, Sergio Leone's epic Once Upon A Time In America portrays 50 years of riveting underworld history and offers rich roles to a remarkable cast. Robert De Niro and James Woods play lifelong Lower East Side pals whose wary partnership unravels in death and mystery. Strong support comes from Tuesday Weld, Joe Pesci, Jennifer Connelly, Elizabeth McGovern and the young actors playing the central characters as ghetto kids.
Ever spend eight hours in a "Productivity Bin"? Ever had worries about layoffs? Ever had the urge to demolish a temperamental printer or fax machine? Ever had to endure a smarmy, condescending boss? Then Office Space should hit pretty close to home for you. Peter (Ron Livingston) spends the day doing stupefyingly dull computer work in a cubicle. He goes home to an apartment sparsely furnished by IKEA and Target, then starts for a maddening commute to work again in the morning.
The so-called spaghetti Western achieved its apotheosis in Sergio Leone's magnificently mythic (and utterly outlandish) Once upon a Time in the West. After a series of international hits starring Clint Eastwood (from A Fistful of Dollars to The Good, The Bad, and The Ugly), Leone outdid himself with this spectacular, larger-than-life, horse-operatic epic about how the West was won.
George Clooney comes into his own as a leading man in the role of inveterate bank robber Jack Foley. Incarcerated, he uses another inmate's prison break as a cover for his own escape. Waiting for him, according to plan, is his partner, Buddy (Ving Rhames). Also waiting for him, not according to plan, is federal agent Karen Sisco (the ravishing Jennifer Lopez). She finds herself disarmed in more ways than one when she is deposited in the getaway car's trunk with Jack.
In the emotionally-charged adventure The Patriot, Academy Award-winner Mel Gibson stars as Benjamin Martin, a reluctant hero who is swept into the American Revolution when the war reaches his home and threatens his family. A hero of the fierce French and Indian conflict, Martin had renounced fighting forever to raise his family in peace.
A vast improvement over its immediate predecessor, The Karate Kid III, this appealingly understated 1994 drama features a compelling performance by Hilary Swank, who would later win a Best Actress Oscar® for her work in Boys Don't Cry. Swank plays 17-year-old Julie Pierce, the recently orphaned and troubled granddaughter of an old war buddy of Miyagi Yakuga (Noriyuki "Pat" Morita, the lone holdover from the previous Karate Kid films). Harassed at school by adolescent boys under the sway of an evil coach (Michael Ironside), Julie reluctantly finds refuge in the calm teachings of Mr. Miyagi.
There's really been only one rival to James Bond: Derek Flint. That's because of James Coburn's special brand of American cool. He's so cool, in fact, that he doesn't care to save the world. That is, until he's personally threatened. He's a true libertarian, with more gadgets and girls than Bond, but with none of his stress or responsibility. Here he's totally unflappable as he thwarts mad scientists who control the weather--and an island of pleasure drones. Lee J. Cobb costars as Flint's flustered superior, and Edward Mulhare plays a British nemesis with snob appeal.
